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This full-color book is a must-read for those who yearn for more balanced representation in historic narratives, as well as an inspiration to young people, showing them that everyone makes history. It includes color photographs of all the treasured objects explored.

Produktbeschreibung
This full-color book is a must-read for those who yearn for more balanced representation in historic narratives, as well as an inspiration to young people, showing them that everyone makes history. It includes color photographs of all the treasured objects explored.
Autorenporträt
Ashley E. Remer is the founder and Head Girl of Girl Museum-the first and only museum in the world dedicated to celebrating girlhood. She holds an MA in the History and Criticism of Art from the University of Auckland. For over two decades, Ashley has worked as an art historian, curator, writer, and editor internationally. She has collaborated with artists, NGOs, scholars, educators, and girls across the globe showcasing girl culture to raise awareness and promote social change. Her research focuses on girlhood in various local and global contexts. She is currently working on her PhD at the Australian National University and is the co-chair of the Girls' History and Culture Network with the Society for the History of Children and Youth (SHCY). Tiffany R. Isselhardt serves as Girl Museum's Program Developer, where she oversees exhibitions, podcasts, community outreach, and social media. She holds a Master's in Public History from Appalachian State University, and has worked with the Hickory Ridge Living History Museum, Blowing Rock Art and History Museum, Theodore Roosevelt Center, Museum Hack, and the Kentucky Museum at Western Kentucky University. Her research focuses on uncovering the hidden history of girls in order to advocate for gender equality, and how museums can better interpret and provide programming inclusive of girls' unique history and culture. She has presented on girlhood at several conferences, including the International Girl Studies Association and the National Council on Public History, and enjoys working at the intersections of history, material culture, and girl studies.