In Rubble Music, Abby Anderton explores the classical music culture of postwar Berlin, analyzing archival documents, period sources, and musical scores to identify the sound of civilian suffering after urban catastrophe.
In Rubble Music, Abby Anderton explores the classical music culture of postwar Berlin, analyzing archival documents, period sources, and musical scores to identify the sound of civilian suffering after urban catastrophe.
Abby Anderton is Assistant Professor of Music at Baruch College, City University of New York.
Inhaltsangabe
Acknowledgments Introduction 1. Berlin Soundscapes of Defeat and Occupation 2. Occupied Music: The Berlin Philharmonic and the American Military 3. Rubble Opera after 1945: East Berlin's Staatsoper and West Berlin's Städtische Oper 4. Embodied and Disembodied Voices: Listening to Sonic Ruins 5. Berlin 1945: Towards a Ruin Aesthetic in Music Conclusion Bibliography Index
Acknowledgments Introduction 1. Berlin Soundscapes of Defeat and Occupation 2. Occupied Music: The Berlin Philharmonic and the American Military 3. Rubble Opera after 1945: East Berlin's Staatsoper and West Berlin's Städtische Oper 4. Embodied and Disembodied Voices: Listening to Sonic Ruins 5. Berlin 1945: Towards a Ruin Aesthetic in Music Conclusion Bibliography Index
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