Intertwining art history, aesthetic theory, and Latin American studies, Aarnoud Rommens challenges contemporary Eurocentric revisions of the history of abstraction through this study of the Uruguayan artist Joaquín Torres-García.
Intertwining art history, aesthetic theory, and Latin American studies, Aarnoud Rommens challenges contemporary Eurocentric revisions of the history of abstraction through this study of the Uruguayan artist Joaquín Torres-García.
Aarnoud Rommens is BeIPD-COFUND/Marie Curie Post-Doctoral Fellow at Faculté de Philosophie et Lettres, University of Liège, Belgium.
Inhaltsangabe
1. Introduction: The Routes to Roots of Joaquín Torres-García's South American Abstraction 2. Constructive Universalism's 'Theoretical Eye': Vitalism, Arkhétectonics and Grafismo 3. Tactics of A-Semiosis 4. Writing/Drawing the Universal by Hand: Abstraction's Unruliness 5. Emblematics, "The School of the South" and the Inversion of Maps 6. Thick Grids and the Scrapbooking of the Universal Conclusion: Reverting South
1. Introduction: The Routes to Roots of Joaquín Torres-García's South American Abstraction 2. Constructive Universalism's 'Theoretical Eye': Vitalism, Arkhétectonics and Grafismo 3. Tactics of A-Semiosis 4. Writing/Drawing the Universal by Hand: Abstraction's Unruliness 5. Emblematics, "The School of the South" and the Inversion of Maps 6. Thick Grids and the Scrapbooking of the Universal Conclusion: Reverting South
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