In this book, Chloë Rae Edmonson analyzes performance sites from throughout U.S. history to reveal the material ways that drinking culture is performative, immersive performance is intoxicating, and how alcohol shapes performance space.
In this book, Chloë Rae Edmonson analyzes performance sites from throughout U.S. history to reveal the material ways that drinking culture is performative, immersive performance is intoxicating, and how alcohol shapes performance space.
Chloë Rae Edmonson is Assistant Professor and Dramaturgy Coordinator at the University of Central Florida School of Performing Arts, USA.
Inhaltsangabe
List of Figures Acknowledgements Introduction PART I: Immersive Bars 1 - The Concert Saloon: Waiter Girls and Hetero-Masculine Drinking Culture 2 - Slumming: Racialized Intoxication and Black Performance in Prohibition-Era Harlem 3 - The Tiki Bar: Exoticized Cocktails and American Fantasies of Escape PART II: Intoxicating Theaters 4: Tony, Tina, and Tamara: Champagne and Distinction in 1980s Immersive Theater 5: Contemporary Immersive Theater: The Cult of Ritual Drinking in Sleep No More and The Illuminati Ball Conclusion: Drinking, Culture, and Immersion from a Distance Index
List of Figures Acknowledgements Introduction PART I: Immersive Bars 1 - The Concert Saloon: Waiter Girls and Hetero-Masculine Drinking Culture 2 - Slumming: Racialized Intoxication and Black Performance in Prohibition-Era Harlem 3 - The Tiki Bar: Exoticized Cocktails and American Fantasies of Escape PART II: Intoxicating Theaters 4: Tony, Tina, and Tamara: Champagne and Distinction in 1980s Immersive Theater 5: Contemporary Immersive Theater: The Cult of Ritual Drinking in Sleep No More and The Illuminati Ball Conclusion: Drinking, Culture, and Immersion from a Distance Index
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