This book lays bare the dialogue between Shakespeare and critics of the stage, and positions it as part of an ongoing cultural, ethical, and psychological debate about the effects of performance on actors and on spectators.
This book lays bare the dialogue between Shakespeare and critics of the stage, and positions it as part of an ongoing cultural, ethical, and psychological debate about the effects of performance on actors and on spectators.
Reut Barzilai is a lecturer at the University of Haifa, Israel. She has published articles in the academic journals Shakespeare and Multicultural Shakespeare and written several study guides on Shakespeare for the Open University.
Inhaltsangabe
Acknowledgements Introduction Chapter 1 The Theater Controversies in Early Modern England Playhouse, Prayer-house, Profit, and Plague Actors and Audience Chapter 2 True Performing and Verses of Feigning Love: A Midsummer Night's Dream and Early Modern English Antitheatricality "Verses of Feigning Love"-Poetry in A Midsummer Night's Dream "True Performing"-Theater in A Midsummer Night's Dream Conclusion: Poets and Players Chapter 3 Hamlet as Shakespeare's Defense of Theater Ethical and Ontological Concerns about Theater The Laughter of the Barren Spectators Conclusion Chapter 4 "In My Power": The Tempest as Shakespeare's Antitheatrical Vision Theater and Spectacle in The Tempest and in the Antitheatrical Discourse Music in The Tempest In Your Power: Shakespeare's Defense of Music and Drama Afterword Poets, Pipers, and Players Index
Acknowledgements Introduction Chapter 1 The Theater Controversies in Early Modern England Playhouse, Prayer-house, Profit, and Plague Actors and Audience Chapter 2 True Performing and Verses of Feigning Love: A Midsummer Night's Dream and Early Modern English Antitheatricality "Verses of Feigning Love"-Poetry in A Midsummer Night's Dream "True Performing"-Theater in A Midsummer Night's Dream Conclusion: Poets and Players Chapter 3 Hamlet as Shakespeare's Defense of Theater Ethical and Ontological Concerns about Theater The Laughter of the Barren Spectators Conclusion Chapter 4 "In My Power": The Tempest as Shakespeare's Antitheatrical Vision Theater and Spectacle in The Tempest and in the Antitheatrical Discourse Music in The Tempest In Your Power: Shakespeare's Defense of Music and Drama Afterword Poets, Pipers, and Players Index
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