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"The Daughters of the Late Colonel" is a 1920 short story by Katherine Mansfield. It was first published in the London Mercury in May 1921. In bed, Constantia suggests giving her late father's top hat to the porter, but her sister Josephine disagrees. After thinking about letters to be sent to Ceylon, they hear a noise coming from a mouse. Constantia thinks how sad it must be for the mouse with no crumbs around. The last time the sisters saw their father, Nurse Andrews was stationed by the bedside; the Colonel opened only one eye, glaring at his daughters before dying. Nurse Andrews, whom they…mehr

  • Format: mp3
  • Größe: 43MB
  • Spieldauer: 51 Min.
  • Hörbuch-Abo
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Produktbeschreibung
"The Daughters of the Late Colonel" is a 1920 short story by Katherine Mansfield. It was first published in the London Mercury in May 1921. In bed, Constantia suggests giving her late father's top hat to the porter, but her sister Josephine disagrees. After thinking about letters to be sent to Ceylon, they hear a noise coming from a mouse. Constantia thinks how sad it must be for the mouse with no crumbs around. The last time the sisters saw their father, Nurse Andrews was stationed by the bedside; the Colonel opened only one eye, glaring at his daughters before dying. Nurse Andrews, whom they invited to stay for a week after the Colonel died, is annoying them by overeating. Mr. Farolles, a clergyman who offers to arrange the funeral, visits and suggests they take Holy Communion, to feel better, but the sisters demur.

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Autorenporträt
Katherine Mansfield was a popular New Zealand short-story writer best known for the stories "The Woman at the Shore," "How Pearl Button Was Kidnapped," "The Doll's House," and her twelve-part short story "Prelude," which was inspired by her happy childhood. Although Mansfield initially had her sights set on becoming a professional cellist, her role as editor of the Queen's College newspaper prompted a change to writing. Mansfield's style of writing revolutionized the form of the short story at the time, in that it depicted ordinary life and left the endings open to interpretation, while also raising uncomfortable questions about society and identity. Mansfield died in 1923 after struggling for many years with tuberculosis.