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  • Format: ePub

Want to get your fiction or non-fiction book ready for the audiobook market?
Audiobooks are the fastest-growing publishing market, and voice-ready writing skills can make your book really shine.
Whether you're working with a publisher or narrator, or an author preparing a script for your own indie audiobook production, Writing for Audiobooks will give you the performance-ready radio writing techniques you need to succeed as an audio author.
Because writing for the ear is different!
This voice-ready writing reference guide will help you make your good book awesome for audio, and a
…mehr

  • Geräte: eReader
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  • Größe: 0.86MB
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Produktbeschreibung
Want to get your fiction or non-fiction book ready for the audiobook market?

Audiobooks are the fastest-growing publishing market, and voice-ready writing skills can make your book really shine.

Whether you're working with a publisher or narrator, or an author preparing a script for your own indie audiobook production, Writing for Audiobooks will give you the performance-ready radio writing techniques you need to succeed as an audio author.

Because writing for the ear is different!

This voice-ready writing reference guide will help you make your good book awesome for audio, and a joy for your narrator to read aloud.

•Flow and attention

•Order of information

•Audio-friendly editing

•Rhythm & musicality

•Performance and studio tips

as well as advice on briefing your narrator and polishing your writing for your own performance.

About the Author

Jules Horne has worked as a BBC Radio journalist and written plays for stage and BBC Radio 4 and Radio Scotland. She has taught on the Open University Creative Writing MA and cowrote the script strand. This practical guidebook is packed with tips and techniques she learned as a writer for the ear.


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Autorenporträt
Jules Horne is from the Scottish Borders and writes for the stage and BBC radio. She has won Edinburgh Fringe Firsts for her stage plays ALLOTMENT and THREAD, and the National Library of Scotland's Robert Louis Stevenson Award for her fiction. She teaches creative writing for the Open University, and writes in a former textile mill in Selkirk, with a blues band next door.