Fin de siecle Vienna was once memorably described by Karl Kraus as a "proving ground for the destruction of the world
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Introduction: How Not to View Vienna 1900 1: The Critical Modernism of a Viennese Composer 2: Weininger's Critique of a Narcissistic Culture 3: Weininger, Ibsen, and the Origins of Viennese Critical Modernism 4: Ebner Contra Wagner: Epistemology, Aesthetics, and Salvation in Vienna, 1900 5: Offenbach: Art between Monologue and Dialogue 6: Saint Offenbach's Postmodernism 7: Saying and Showing: Hertz and Wittgenstein 8: Wittgenstein's "Religious Point of View" 9: Kraus, Wittgenstein and the Philosophy of Language 10: Wittgenstein, the Vienna Circle, and European Culture 11: Wittgenstein on Madness, Mistakes, Metaphysics and Method 12: "Ethik und Ästhetik Sind Eins": Wittgenstein and Trakl
Introduction: How Not to View Vienna 1900 1: The Critical Modernism of a Viennese Composer 2: Weininger's Critique of a Narcissistic Culture 3: Weininger, Ibsen, and the Origins of Viennese Critical Modernism 4: Ebner Contra Wagner: Epistemology, Aesthetics, and Salvation in Vienna, 1900 5: Offenbach: Art between Monologue and Dialogue 6: Saint Offenbach's Postmodernism 7: Saying and Showing: Hertz and Wittgenstein 8: Wittgenstein's "Religious Point of View" 9: Kraus, Wittgenstein and the Philosophy of Language 10: Wittgenstein, the Vienna Circle, and European Culture 11: Wittgenstein on Madness, Mistakes, Metaphysics and Method 12: "Ethik und Ästhetik Sind Eins": Wittgenstein and Trakl
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