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  • Format: ePub

Accra, 1958. Africa's liberation leaders have gathered for a conference, full of strength, purpose and vision. Newly independent Ghana's Kwame Nkrumah and Congo's Patrice Lumumba strike up a close partnership. Everything seems possible. But, within a few years, both men will have been targeted by the CIA, and their dream of true African autonomy undermined.
The United States, watching the Europeans withdraw from Africa, was determined to take control. Pan-Africanism was inspiring African Americans fighting for civil rights; the threat of Soviet influence over new African governments loomed;
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Produktbeschreibung
Accra, 1958. Africa's liberation leaders have gathered for a conference, full of strength, purpose and vision. Newly independent Ghana's Kwame Nkrumah and Congo's Patrice Lumumba strike up a close partnership. Everything seems possible. But, within a few years, both men will have been targeted by the CIA, and their dream of true African autonomy undermined.

The United States, watching the Europeans withdraw from Africa, was determined to take control. Pan-Africanism was inspiring African Americans fighting for civil rights; the threat of Soviet influence over new African governments loomed; and the idea of an atomic reactor in black hands was unacceptable. The conclusion was simple: the US had to 'recapture' Africa, in the shadows, by any means necessary.

Renowned historian Susan Williams dives into the archives, revealing new, shocking details of America's covert programme in Africa. The CIA crawled over the continent, poisoning the hopes of 1958 with secret agents and informants; surreptitious UN lobbying; cultural infiltration and bribery; assassinations and coups. As the colonisers moved out, the Americans swept inwith bitter consequences that reverberate in Africa to this day


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Autorenporträt
Dr Susan Williams is a senior research fellow in the School of Advanced Study, University of London. Her pathbreaking books include Who Killed Hammarskjöld?, which in 2015 triggered a new, ongoing UN investigation into the death of the UN Secretary-General; Spies in the Congo, which spotlights the link between US espionage in the Congo and the atomic bombs dropped on Japan in 1945; Colour Bar, the story of Botswana's founding president, which was made into the major 2016 film A United Kingdom; and The People's King, which presents an original perspective on the abdication of Edward VIII and his marriage to Wallis Simpson.