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From its title, which runs to 101 words in full, to its wordless concrete poems; from its World Cup fixture list to its transformations of four-letter words, 'We needed coffee but...' is audacious, mischievous, even outrageous. As in his award-winning first collection The Book of Matthew, the poet attends precisely to each detail: the rhythms are musical but unexpected; the brightness control on imagery is turned up high. New in this book is the emphasis on collaboration. Some of this work began in text pieces for art exhibitions or as song-cycle lyrics. Other poems respond to the influences…mehr

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Produktbeschreibung
From its title, which runs to 101 words in full, to its wordless concrete poems; from its World Cup fixture list to its transformations of four-letter words, 'We needed coffee but...' is audacious, mischievous, even outrageous. As in his award-winning first collection The Book of Matthew, the poet attends precisely to each detail: the rhythms are musical but unexpected; the brightness control on imagery is turned up high. New in this book is the emphasis on collaboration. Some of this work began in text pieces for art exhibitions or as song-cycle lyrics. Other poems respond to the influences of Gertrude Stein, Raymond Queneau, Inger Christensen, dom silvester houedard, Yoko Ono and Gyorgy Ligeti. Matthew Welton turns rigorous control into a dancing display of wit: we become his collaborators in the shared delight that inventive poetry can contrive.

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Autorenporträt
Matthew Welton is an editor of Stand Magazine and teaches creative writing at Bolton Institute. His poetry collection, The Book of Matthew, won the Jerwood-Aldeburgh Prize, and his poems have also appeared in Faber's First Pressings and New Poetries 2.