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Volery and Venery in the French Wars of Religion is the first book-length study to provide an analysis of literary and cultural texts through the lens of people's perspectives on hunting in the context of the French Wars of Religion. Court poets such as Jodelle and Ronsard highlight the central role of the king in the hunt. The study examines cynegetic scenes and attitudes toward hunting in the works of Sebastian Brant, Erasmus, Rabelais, Jodelle, Ronsard, Ceppède, Montaigne, and Aubigné. An effort is made to relate the artistic representation of the hunt to the details of the hunt presented…mehr

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Produktbeschreibung
Volery and Venery in the French Wars of Religion is the first book-length study to provide an analysis of literary and cultural texts through the lens of people's perspectives on hunting in the context of the French Wars of Religion. Court poets such as Jodelle and Ronsard highlight the central role of the king in the hunt. The study examines cynegetic scenes and attitudes toward hunting in the works of Sebastian Brant, Erasmus, Rabelais, Jodelle, Ronsard, Ceppède, Montaigne, and Aubigné. An effort is made to relate the artistic representation of the hunt to the details of the hunt presented in the hunting manuals of Du Fouilloux, De Thou, Franchières, and Arcussia, among others. At a time when the monarchy needed to reflect stability and continuity, the figure of the king dominates cynegetic exercise.

Losse argues that hunting remained a major preoccupation in France in spite of the disruptions and violence caused by the Wars of Religion. The analysis examines some basic questions about hunting in early modern France. How did religious affiliation affect attitudes toward hunting? Did the violence of the Wars of Religion change how people viewed cruelty to animals? Falconry and large game hunting offer a perspective from which to view the cultural and political life leading up to and through the Wars of Religion.

Historians of the hunt, students of early modern Europe, and graduate students in cultural studies or anthropology will find the work to provide a unique perspective on political and social institutions. Museums of hunting will find this book vital to their mission of instructing modern audiences on the centrality of hunting to aristocratic life.


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Autorenporträt
Deborah N. Losse is currently Professor Emerita of French at Arizona State University. She served as Chair of the then Department of Languages and Literatures at the School of International Letters and Cultures, as President of the Academic Senate, as well as Associate Dean of the Graduate College and Dean of Humanities at Arizona State University before her retirement. She is the author of numerous articles on French Renaissance Literature in Modern Language Notes, Romanic Review, Neophilologus, Medievalia et Humanistica, Bulletin de la Société des Amis de Montaigne, Montaigne Studies, Allegorica, Symposium, and Poetics Today. Her previous books include Rhetoric at Play: Rabelais and Satirical Eulogy (1980); Sampling the Book: Renaissance Prologues and the French Conteurs (1994); Montaigne and Brief Narrative Form: Shaping the Essay (2013); and Syphilis: Medicine, Metaphor, and Religious Conflict (2015). She has contributed chapters to the following volumes: Approaches to Teaching the Heptaméron, ed. Colette H. Winn; Approaches to Teaching the Works of François Rabelais, eds. Todd W. Reeser and Floyd Gray; Renaissance Women Writers: French Texts/American Contexts, eds. Anne R. Larsen and Colette H. Winn; Narrative Worlds: Essays in the Early Nouvelle in 15th and 16th Century France, eds. David LaGuardia and Gary Ferguson; and La Satire dans tous ses états, ed. Bernd Renner.