Christina Gutekunst, John Gillett

Voice into Acting (eBook, ePUB)

Integrating Voice and the Stanislavski Approach

• Format: ePub

Produktbeschreibung

How can actors bridge the gap between themselves and the text and action of a script, integrating fully their learned vocal skills? How do we make an imaginary world real, create the life of a role, and fully embody it vocally and physically so that voice and acting become one?

Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors - the acting approach widely taught to actors in drama schools throughout the world.

This updated edition contains: a new chapter on vocal embodiment of actions, new findings from neuroscience supporting the approach, more exercises, warm-up routines for training, rehearsal and performance, and a completely new glossary of terms.

The authors create a step-by-step guide to explore how voice can:

- Respond to our thoughts, senses, feelings, imagination and will
- Fully express language in content and form
- Communicate imaginary circumstances and human experience
- Transform to adapt to different roles
- Connect to a variety of audiences and spaces

Featuring 55 illustrations by German artist, Dany Heck, Voice into Acting is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques or an alternative approach to harmonize with the actor's process.

Produktdetails

• Verlag: Bloomsbury UK
• Seitenzahl: 328
• Erscheinungstermin: 14. Januar 2021
• Englisch
• ISBN-13: 9781350064942
• Artikelnr.: 60864263

Autorenporträt

Christina Gutekunst has been Head of Voice at East 15 Acting School since 2003. Apart from co-writing Voice into Acting, she contributed a chapter, Organic Voice: Vocal Integration through Actor Training in a book for Routledge, Somatic Voices in Performance Research and Beyond (edited by Christina Kapadocha, 2020).

Christina trained as an actor in Germany and Britain, and then gained her Post Graduate diploma and MA in voice studies at the Royal Central School of Speech and Drama. She has taught voice in numerous acting schools, has worked on voice-overs as actor and director and co-ran two theatre companies. She has also coached on productions for TV and theatre.
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Inhaltsangabe

What Practitioners Said about the First Edition Introduction Part I: Laying
the Foundations 1. The Organic Acting Approach and the Voice 2. The Organic
Acting Approach and the Brain Part II: The Essential Vocal Six - And
Integrating Acting into Voice 3. Alignment: Backbone of the Action 4.
Breath: The Great Creative Connector 5. Centred Onset of Sound: The Vocal
Identity of the Actor 6. Pitch Range: The Music of Meaning 7. Resonance:
Vibrating the Experience 8. Articulation: Shaping Thought and Action Part
III: Integrating Voice into the Organic Acting Process 9. Interval:
Receiving and Responding 10. Awareness, Ease and Focus 11: The Action:
Given Circumstances, Interaction and Objectives 12. Vocal Embodiment of
Actions 13. Seeing, Sensing and Feeling 14. Character and Voice 15. The
Actor in the Space Part IV: Integrating Voice in Rehearsal and Performance:
Putting It All Together 16. Meeting the Play and the Character 17. From
Impulse to Action 18. From Action to Form Conclusion Glossary Selected
Bibliography Index