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Fuelled by innumerable cigarettes, Martin Amis provides dazzling portraits of contemporaries and mentors alike: Larkin and Rushdie; Greene and Pritchett; Ballard and Burgess and Nicholson Baker; John Updike - warts and all. Vigorously zipping across to Washington, he exposes the double-think of nuke-speak; in New Orleans the Republican Convention gets a going over. And then there's sport: he visits the world of darts and its disastrous attempt to clean itself up; dirty tricks in the world of chess; and some brisk but vicious poker with Al Alvarez and David Mamet.
Sex without Madonna,
…mehr

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Produktbeschreibung
Fuelled by innumerable cigarettes, Martin Amis provides dazzling portraits of contemporaries and mentors alike: Larkin and Rushdie; Greene and Pritchett; Ballard and Burgess and Nicholson Baker; John Updike - warts and all. Vigorously zipping across to Washington, he exposes the double-think of nuke-speak; in New Orleans the Republican Convention gets a going over. And then there's sport: he visits the world of darts and its disastrous attempt to clean itself up; dirty tricks in the world of chess; and some brisk but vicious poker with Al Alvarez and David Mamet.

Sex without Madonna, expulsion from school, a Stones gig that should have been gagged, on set with Robocop or on court with Gabriela Sabatini, this is Martin Amis at his electric best.


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Autorenporträt
Martin Amis was twenty-three when he wrote his first novel, The Rachel Papers (1973). Over the next half century - in fourteen more novels, two collections of short stories, eight works of literary criticism and reportage, and his acclaimed memoir, Experience - he established himself as the most distinctive and influential prose stylist of his generation. To many of his readers, Amis was also the funniest. His intoxicating comedic gifts express a profound understanding of the human experience, particularly its most shocking cruelties, and Amis wrote with pathos and verve on an astonishing range of subjects, from masculinity and movie violence to nuclear weapons and Nazi doctors. His books, which have been translated into thirty-eight languages, provide an indelible portrait and critique of late-capitalist society at the turn of the twenty-first century. He died in 2023.