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Born of a personal ache, an unquenchable desire to animate the shadow archive, Saito's journey unfolds in lyric correspondences and epistolary poems that sing with rage, confusion, and, ultimately, love. In these works, descendants of wartime incarceration exchange dreams, mothers become water goddesses, and a modern daughter haunts future ruins. To enter this book is to enter the slipstream of nonlinear time, where mystical inclinations, yellow cedars, and sisterhood make a balm for trauma's scars. Altogether, the work enacts a dialogue between the past and the present; the radical ancestor…mehr

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Produktbeschreibung
Born of a personal ache, an unquenchable desire to animate the shadow archive, Saito's journey unfolds in lyric correspondences and epistolary poems that sing with rage, confusion, and, ultimately, love. In these works, descendants of wartime incarceration exchange dreams, mothers become water goddesses, and a modern daughter haunts future ruins. To enter this book is to enter the slipstream of nonlinear time, where mystical inclinations, yellow cedars, and sisterhood make a balm for trauma's scars. Altogether, the work enacts a dialogue between the past and the present; the radical ancestor and the future child; and the desert prison and the family garden, where Saito's father diligently gathers stones.


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Autorenporträt
Brynn Saito is the author of Power Made Us Swoon (2016) and The Palace of Contemplating Departure (2013), winner of the Benjamin Saltman Poetry Award from Red Hen Press, and a finalist for the Northern California Book Award. She has received grant support from Densho, Hedgebrook, and the Santa Fe Arts Institute. Her poems have appeared in the New York Times and American Poetry Review among other journals and anthologies. She was a finalist for the Paterson Poetry Prize and the Milt Kessler Poetry Book Award. Brynn lives in Fresno, CA, where she is an Assistant Professor at California State University, Fresno and co-director of Yonsei Memory Project.