Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
Ubiquitous Musics offers a multidisciplinary approach to the pervasive presence of music in everyday life. The essays address a variety of situations in which music is present alongside other activities and does not demand focused attention from (sometimes involuntary) listeners. The contributors present different theoretical perspectives on the increasing ubiquity of music and its implications for the experience of listening.
Ubiquitous Musics offers a multidisciplinary approach to the pervasive presence of music in everyday life. The essays address a variety of situations in which music is present alongside other activities and does not demand focused attention from (sometimes involuntary) listeners. The contributors present different theoretical perspectives on the increasing ubiquity of music and its implications for the experience of listening.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Marta GarcÃa Quiñones is a PhD candidate at the University of Barcelona, where she is preparing a thesis on music listening. In 2008 she edited the collection La música que no se escucha. Aprocimaxiones a la escucha ambiental. She is also a member of the international research network 'Sound in Media Culture: Aspects of a Cultural History of Sound' (2010-2013), funded by the German Research Foundation. Anahid Kassabian is the author of Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity (2013) and Hearing Film (2001). Anahid is a past editor of Stanford Humanities Review and of Journal of Popular Music Studies, as well as a co-founding editor of Music, Sound, and the Moving Image and a past chair of the International Association for the Study of Popular Music (IASPM). She serves on the Board of Directors of Aunt Lute Books, a feminist multicultural publisher, and the Board of Trustees of the Liverpool Arabic Arts Festival, the oldest and largest festival of its kind in the UK. Elena Boschi is a Postdoctoral Teaching Fellow in Visual Communication at Liverpool Hope University. She completed her PhD on popular songs and cultural identities in contemporary Italian, Spanish and British cinema at the Institute of Popular Music (University of Liverpool) in 2011. She has published on songs in Radiofreccia (Luciano Ligabue, 1998), musical simulacra in Barrio (Fernando Léon de Aranoa, 1998) and the audiovisual style in the films of Wes Anderson (with Tim McNelis). Elena is also Translations Editor for the journal Music, Sound, and the Moving Image, and has published a translation of Ennio Morricone's essay 'A Composer Behind the Film Camera'.
Inhaltsangabe
Contents: Foreword; Introduction: a day in the life of a ubiquitous musics listener Elena Boschi Anahid Kassabian and Marta GarcÃa Quiñones; Part I Histories: Caliban's ear: a short history of ambient music Lawrence Kramer; Early mood music: Edison's phonography American modernity and the instrumentalization of listening Tony Grajeda; Radio symphonies: the BBC everyday listening and the popular classics debate during the people's war Christina Baade. Part II Technologies: Sound perception and mobile phones in India Amit S. Rai; Seen and heard: visible playback technology in film Tim McNelis and Elena Boschi; Body and context in mobile listening to digital players Marta Garcia Quiñones. Part III Spaces: The non-aggressive music deterrent Jonathan Sterne; An anthropology of soundtracks in gym centres Serena Facci; Taboo listening (or what kind of attention?) Franco Fabbri; Bibliography; Index.
Contents: Foreword; Introduction: a day in the life of a ubiquitous musics listener Elena Boschi Anahid Kassabian and Marta GarcÃa Quiñones; Part I Histories: Caliban's ear: a short history of ambient music Lawrence Kramer; Early mood music: Edison's phonography American modernity and the instrumentalization of listening Tony Grajeda; Radio symphonies: the BBC everyday listening and the popular classics debate during the people's war Christina Baade. Part II Technologies: Sound perception and mobile phones in India Amit S. Rai; Seen and heard: visible playback technology in film Tim McNelis and Elena Boschi; Body and context in mobile listening to digital players Marta Garcia Quiñones. Part III Spaces: The non-aggressive music deterrent Jonathan Sterne; An anthropology of soundtracks in gym centres Serena Facci; Taboo listening (or what kind of attention?) Franco Fabbri; Bibliography; Index.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
