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This book examines the theory, originally raised in Gilles Deleuze's philosophy of film, that cinema has the power to restore our trust in the world. Früchtl demonstrates that cinema does this in three main ways: by restoring our belief in the absurd, in the body and in a sceptical abstention from judging and acting.

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Produktbeschreibung
This book examines the theory, originally raised in Gilles Deleuze's philosophy of film, that cinema has the power to restore our trust in the world. Früchtl demonstrates that cinema does this in three main ways: by restoring our belief in the absurd, in the body and in a sceptical abstention from judging and acting.


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Autorenporträt
Josef Früchtl is Professor of Philosophy of Art and Culture at the University of Amsterdam, The Netherlands. His major research interests are aesthetics, especially the relationship between aesthetics and ethics, theories of modernity, critical theory, and the philosophy of film. He is the author of The Impertinent Self: A Heroic History of Modernity (2009).