Trauma & Memory (eBook, PDF)
The Holocaust in Contemporary Culture
Redaktion: Berberich, Christine
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Trauma & Memory (eBook, PDF)
The Holocaust in Contemporary Culture
Redaktion: Berberich, Christine
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The essays in this trans-disciplinary collection debate how contemporary culture engages with the legacy of the Holocaust now that, 75 years on from the end of the War, the number of actual survivors is dwindling.
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The essays in this trans-disciplinary collection debate how contemporary culture engages with the legacy of the Holocaust now that, 75 years on from the end of the War, the number of actual survivors is dwindling.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 236
- Erscheinungstermin: 30. März 2021
- Englisch
- ISBN-13: 9781000368628
- Artikelnr.: 60925613
- Verlag: Taylor & Francis
- Seitenzahl: 236
- Erscheinungstermin: 30. März 2021
- Englisch
- ISBN-13: 9781000368628
- Artikelnr.: 60925613
Christine Berberich is Reader in Literature at the University of Portsmouth, UK. She has published widely in the field of national identity construction, especially Englishness, and in twentieth-century and contemporary literature. She is the author of The Image of the English Gentleman in Twentieth-Century Literature: Englishness & Nostalgia (2007), co-editor of These Englands: Conversations on National Identity (2011), Land & Identity: Theory, Memory, Practice (2012) and Affective Landscapes in Literature, Art & Everyday Life (2015), and editor of The Bloomsbury Introduction to Popular Fiction (2014). She is currently editing a collection on Brexit and the migrant experience, entitled Brexit and the Migrant Voice, as well as writing a monograph tentatively entitled Nazi Noir and a public interest book on P.G. Wodehouse and the Nazi Internment Camp at Tost.
Part I: Introduction
Introduction: the Holocaust in Contemporary Culture
Christine Berberich
1. 'To tell the story': cultural trauma and holocaust metanarrative
Anna Clare Hunter
Part II: New Trends in Holocaust Fiction
2. No laughing matter: humor and the Holocaust in Woody Allen, Shalom
Auslander, and Howard Jacobson
Christopher Madden
3. From silence to testimony: performing trauma and postmemory in Jonathan
Safran Foer's Everything is Illuminated
Audrey Bardizbanian
4. Whose trauma is it? A trauma-theoretical reading of The Book Thief by
Marcus Zusak
Zuzana Burákóva
5. 'I think I'm beginning to understand. What I'm writing is an
infranovel': Laurent Binet, HHhH and the problem of 'writing
history'
Christine Berberich
6. 'Beyond words': representing the 'Holocaust by bullets'
Sue Vice
7. Still struggling with German history: W.G. Sebald, Gunter Demnig and
activist memory workers in Berlin today
Kirsten Grimstad
Part III: The Holocaust in Contemporary Culture
8. Remembering the 'unwanted' victims: initiatives to memorialize the
National Socialist euthanasia program in Germany
Caroline Pearce
9. Figuring the Grey Zone: the Auschwitz Sonderkommando in contemporary
culture
Dominic Williams
10. Instagram and Auschwitz: a critical assessment of the impact social
media has on Holocaust representation
Gemma Commane and Rebekah Potton
11. Encountering Auschwitz: touring the Auschwitz-Birkenau State Museum
Claire Griffiths
Afterword: Conclusion
Christine Berberich
Introduction: the Holocaust in Contemporary Culture
Christine Berberich
1. 'To tell the story': cultural trauma and holocaust metanarrative
Anna Clare Hunter
Part II: New Trends in Holocaust Fiction
2. No laughing matter: humor and the Holocaust in Woody Allen, Shalom
Auslander, and Howard Jacobson
Christopher Madden
3. From silence to testimony: performing trauma and postmemory in Jonathan
Safran Foer's Everything is Illuminated
Audrey Bardizbanian
4. Whose trauma is it? A trauma-theoretical reading of The Book Thief by
Marcus Zusak
Zuzana Burákóva
5. 'I think I'm beginning to understand. What I'm writing is an
infranovel': Laurent Binet, HHhH and the problem of 'writing
history'
Christine Berberich
6. 'Beyond words': representing the 'Holocaust by bullets'
Sue Vice
7. Still struggling with German history: W.G. Sebald, Gunter Demnig and
activist memory workers in Berlin today
Kirsten Grimstad
Part III: The Holocaust in Contemporary Culture
8. Remembering the 'unwanted' victims: initiatives to memorialize the
National Socialist euthanasia program in Germany
Caroline Pearce
9. Figuring the Grey Zone: the Auschwitz Sonderkommando in contemporary
culture
Dominic Williams
10. Instagram and Auschwitz: a critical assessment of the impact social
media has on Holocaust representation
Gemma Commane and Rebekah Potton
11. Encountering Auschwitz: touring the Auschwitz-Birkenau State Museum
Claire Griffiths
Afterword: Conclusion
Christine Berberich
Part I: Introduction
Introduction: the Holocaust in Contemporary Culture
Christine Berberich
1. 'To tell the story': cultural trauma and holocaust metanarrative
Anna Clare Hunter
Part II: New Trends in Holocaust Fiction
2. No laughing matter: humor and the Holocaust in Woody Allen, Shalom
Auslander, and Howard Jacobson
Christopher Madden
3. From silence to testimony: performing trauma and postmemory in Jonathan
Safran Foer's Everything is Illuminated
Audrey Bardizbanian
4. Whose trauma is it? A trauma-theoretical reading of The Book Thief by
Marcus Zusak
Zuzana Burákóva
5. 'I think I'm beginning to understand. What I'm writing is an
infranovel': Laurent Binet, HHhH and the problem of 'writing
history'
Christine Berberich
6. 'Beyond words': representing the 'Holocaust by bullets'
Sue Vice
7. Still struggling with German history: W.G. Sebald, Gunter Demnig and
activist memory workers in Berlin today
Kirsten Grimstad
Part III: The Holocaust in Contemporary Culture
8. Remembering the 'unwanted' victims: initiatives to memorialize the
National Socialist euthanasia program in Germany
Caroline Pearce
9. Figuring the Grey Zone: the Auschwitz Sonderkommando in contemporary
culture
Dominic Williams
10. Instagram and Auschwitz: a critical assessment of the impact social
media has on Holocaust representation
Gemma Commane and Rebekah Potton
11. Encountering Auschwitz: touring the Auschwitz-Birkenau State Museum
Claire Griffiths
Afterword: Conclusion
Christine Berberich
Introduction: the Holocaust in Contemporary Culture
Christine Berberich
1. 'To tell the story': cultural trauma and holocaust metanarrative
Anna Clare Hunter
Part II: New Trends in Holocaust Fiction
2. No laughing matter: humor and the Holocaust in Woody Allen, Shalom
Auslander, and Howard Jacobson
Christopher Madden
3. From silence to testimony: performing trauma and postmemory in Jonathan
Safran Foer's Everything is Illuminated
Audrey Bardizbanian
4. Whose trauma is it? A trauma-theoretical reading of The Book Thief by
Marcus Zusak
Zuzana Burákóva
5. 'I think I'm beginning to understand. What I'm writing is an
infranovel': Laurent Binet, HHhH and the problem of 'writing
history'
Christine Berberich
6. 'Beyond words': representing the 'Holocaust by bullets'
Sue Vice
7. Still struggling with German history: W.G. Sebald, Gunter Demnig and
activist memory workers in Berlin today
Kirsten Grimstad
Part III: The Holocaust in Contemporary Culture
8. Remembering the 'unwanted' victims: initiatives to memorialize the
National Socialist euthanasia program in Germany
Caroline Pearce
9. Figuring the Grey Zone: the Auschwitz Sonderkommando in contemporary
culture
Dominic Williams
10. Instagram and Auschwitz: a critical assessment of the impact social
media has on Holocaust representation
Gemma Commane and Rebekah Potton
11. Encountering Auschwitz: touring the Auschwitz-Birkenau State Museum
Claire Griffiths
Afterword: Conclusion
Christine Berberich