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The first comprehensive examination of Jewish influence and participation in the American popular music business, covering composers, publishers, performers, executives, producers, technical innovations, etc., from the turn of the 19th century until the end of the 20th century, from Irving Berlin to the Beastie Boys and beyond. In the words of one writer, "Sidran is a warm, funny, and authoritative guide in this thrilling, adventurous social history of popular music...part textbook, part family history, the insightful section on Dylan alone is worth several times the price of the book. A must-read for all music-lovers."…mehr

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Produktbeschreibung
The first comprehensive examination of Jewish influence and participation in the American popular music business, covering composers, publishers, performers, executives, producers, technical innovations, etc., from the turn of the 19th century until the end of the 20th century, from Irving Berlin to the Beastie Boys and beyond. In the words of one writer, "Sidran is a warm, funny, and authoritative guide in this thrilling, adventurous social history of popular music...part textbook, part family history, the insightful section on Dylan alone is worth several times the price of the book. A must-read for all music-lovers."


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Autorenporträt
Ben Sidran was a major force in the contemporary history of jazz and rock & roll, having played keyboards with or produced such artists as Steve Miller, Mose Allison, Diana Ross, Boz Scaggs, Phil Upchurch, Tony Williams, Jon Hendricks, Richie Cole and Van Morrison. Though primarily renowned as a gifted pianist, composer, producer, among other music-related roles, Ben Sidran has also made a name for himself as a writer. Sidran's first book, Black Talk: How the Music of Black America Created a Radical Alternative to Western Literary Tradition (Da Capo Press), is based on his doctoral dissertation. Talking Jazz: An Oral History (Da Capo Press), published twenty-four years later, collects personal interviews with jazz greats such as Miles Davis and Sonny Rollins. His third literary endeavor, Ben Sidran: A Life in the Music (Unlimited Media), expresses his life-long affair with music and all its functions: as prayer, as community, as legacy, and as nothing but a party. He delves into the complex relationships between African-Americans and Jews, fathers and sons, history and hope, money and technology, ecstasy and transformation. His penultimate book, There Was a Fire: Jews, Music and the American Dream, was a 2011 finalist for the National Jewish Book Award and remains a teaching text in Jewish Studies programs everywhere.