Mariusz Stanowski
Theory and Practice of Contrast (eBook, ePUB)
Integrating Science, Art and Philosophy
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Mariusz Stanowski
Theory and Practice of Contrast (eBook, ePUB)
Integrating Science, Art and Philosophy
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The book Theory and Practice of Contrast completes, corrects and integrates the foundations of science and humanities, which include: theory of art, philosophy (aesthetics, epistemology, ontology, axiology), cognitive science, theory of information, theory of complexity and physics.
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- Größe: 7.81MB
The book Theory and Practice of Contrast completes, corrects and integrates the foundations of science and humanities, which include: theory of art, philosophy (aesthetics, epistemology, ontology, axiology), cognitive science, theory of information, theory of complexity and physics.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 224
- Erscheinungstermin: 9. Juni 2021
- Englisch
- ISBN-13: 9781000393668
- Artikelnr.: 61543838
- Verlag: Taylor & Francis
- Seitenzahl: 224
- Erscheinungstermin: 9. Juni 2021
- Englisch
- ISBN-13: 9781000393668
- Artikelnr.: 61543838
Mariusz Stanowski graduated from Warsaw University of Technology (1974), and Fine Arts Academy in Warsaw (1979), where he worked later as an academic teacher and designer. Currently he is a visual artist and an independent researcher. His scientific research is situated on the borderline between humanities and natural sciences, including: philosophy, art theory, cognitive science, theory of information/complexity and physics. As an artist, through paintings, defined as deconstructed, he tries to express the idea of creativity. He has exhibited in Poland and abroad, including Vikingsberg Museum of Modern Art, (Helsingborg, Sweden), Charlottenborg Palace (Kobenhavn, Danmark), and the Visual Art Museum - School of Visual Arts (New York, USA).
Contents
Foreword....................................................................................................................ix
About the
Author.......................................................................................................xi
Introduction.............................................................................................................
xiii
Chapter 1 Beauty-Existing
Views.......................................................................1
Chapter 2 The Concept's
Origin............................................................................5
Chapter 3 Analysis of
Contrast..............................................................................7
Chapter 4 Analyses of Contrasts in Abstract Visual
Structures.......................... 11
Chapter 5 Contrast as
Complexity.......................................................................
21
Chapter 6 Contrast as Compression of
Information............................................ 31
Chapter 7 Contrast as
Development.....................................................................
35
Chapter 8 Contrast as
Value.................................................................................
37
Chapter 9 Examples of Contrasts in
Artworks.................................................... 39
Chapter 10 Interpretations of Existing Aesthetic
Views........................................83
Chapter 11 Contrast and
Colour............................................................................97
Chapter 12 Emergence as
Contrast......................................................................
113
Chapter 13 Contrast and
Subjectivity..................................................................
119
Chapter 14 Contrast as
Cognition........................................................................
121
Chapter 15 Mind-Body
Problem..........................................................................
131
Chapter 16 Artificial Intelligence, Self-awareness and
Creativity...................... 139
Chapter 17 Contrast as
Being..............................................................................
151
Chapter 18 Contrast and Perception of
Reality................................................... 159
Chapter 19 Definition of
Information..................................................................
163
Chapter 20 Binary Model of
Universe.................................................................
169
Chapter 21
Conclusions.......................................................................................
195
Index.......................................................................................................................
201
Foreword....................................................................................................................ix
About the
Author.......................................................................................................xi
Introduction.............................................................................................................
xiii
Chapter 1 Beauty-Existing
Views.......................................................................1
Chapter 2 The Concept's
Origin............................................................................5
Chapter 3 Analysis of
Contrast..............................................................................7
Chapter 4 Analyses of Contrasts in Abstract Visual
Structures.......................... 11
Chapter 5 Contrast as
Complexity.......................................................................
21
Chapter 6 Contrast as Compression of
Information............................................ 31
Chapter 7 Contrast as
Development.....................................................................
35
Chapter 8 Contrast as
Value.................................................................................
37
Chapter 9 Examples of Contrasts in
Artworks.................................................... 39
Chapter 10 Interpretations of Existing Aesthetic
Views........................................83
Chapter 11 Contrast and
Colour............................................................................97
Chapter 12 Emergence as
Contrast......................................................................
113
Chapter 13 Contrast and
Subjectivity..................................................................
119
Chapter 14 Contrast as
Cognition........................................................................
121
Chapter 15 Mind-Body
Problem..........................................................................
131
Chapter 16 Artificial Intelligence, Self-awareness and
Creativity...................... 139
Chapter 17 Contrast as
Being..............................................................................
151
Chapter 18 Contrast and Perception of
Reality................................................... 159
Chapter 19 Definition of
Information..................................................................
163
Chapter 20 Binary Model of
Universe.................................................................
169
Chapter 21
Conclusions.......................................................................................
195
Index.......................................................................................................................
201
Contents
Foreword....................................................................................................................ix
About the
Author.......................................................................................................xi
Introduction.............................................................................................................
xiii
Chapter 1 Beauty-Existing
Views.......................................................................1
Chapter 2 The Concept's
Origin............................................................................5
Chapter 3 Analysis of
Contrast..............................................................................7
Chapter 4 Analyses of Contrasts in Abstract Visual
Structures.......................... 11
Chapter 5 Contrast as
Complexity.......................................................................
21
Chapter 6 Contrast as Compression of
Information............................................ 31
Chapter 7 Contrast as
Development.....................................................................
35
Chapter 8 Contrast as
Value.................................................................................
37
Chapter 9 Examples of Contrasts in
Artworks.................................................... 39
Chapter 10 Interpretations of Existing Aesthetic
Views........................................83
Chapter 11 Contrast and
Colour............................................................................97
Chapter 12 Emergence as
Contrast......................................................................
113
Chapter 13 Contrast and
Subjectivity..................................................................
119
Chapter 14 Contrast as
Cognition........................................................................
121
Chapter 15 Mind-Body
Problem..........................................................................
131
Chapter 16 Artificial Intelligence, Self-awareness and
Creativity...................... 139
Chapter 17 Contrast as
Being..............................................................................
151
Chapter 18 Contrast and Perception of
Reality................................................... 159
Chapter 19 Definition of
Information..................................................................
163
Chapter 20 Binary Model of
Universe.................................................................
169
Chapter 21
Conclusions.......................................................................................
195
Index.......................................................................................................................
201
Foreword....................................................................................................................ix
About the
Author.......................................................................................................xi
Introduction.............................................................................................................
xiii
Chapter 1 Beauty-Existing
Views.......................................................................1
Chapter 2 The Concept's
Origin............................................................................5
Chapter 3 Analysis of
Contrast..............................................................................7
Chapter 4 Analyses of Contrasts in Abstract Visual
Structures.......................... 11
Chapter 5 Contrast as
Complexity.......................................................................
21
Chapter 6 Contrast as Compression of
Information............................................ 31
Chapter 7 Contrast as
Development.....................................................................
35
Chapter 8 Contrast as
Value.................................................................................
37
Chapter 9 Examples of Contrasts in
Artworks.................................................... 39
Chapter 10 Interpretations of Existing Aesthetic
Views........................................83
Chapter 11 Contrast and
Colour............................................................................97
Chapter 12 Emergence as
Contrast......................................................................
113
Chapter 13 Contrast and
Subjectivity..................................................................
119
Chapter 14 Contrast as
Cognition........................................................................
121
Chapter 15 Mind-Body
Problem..........................................................................
131
Chapter 16 Artificial Intelligence, Self-awareness and
Creativity...................... 139
Chapter 17 Contrast as
Being..............................................................................
151
Chapter 18 Contrast and Perception of
Reality................................................... 159
Chapter 19 Definition of
Information..................................................................
163
Chapter 20 Binary Model of
Universe.................................................................
169
Chapter 21
Conclusions.......................................................................................
195
Index.......................................................................................................................
201