7,99 €
7,99 €
inkl. MwSt.
Sofort per Download lieferbar
payback
4 °P sammeln
7,99 €
7,99 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
4 °P sammeln
Als Download kaufen
7,99 €
inkl. MwSt.
Sofort per Download lieferbar
payback
4 °P sammeln
Jetzt verschenken
7,99 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
4 °P sammeln
  • Format: PDF

First published in 1938, The Theatre and Its Double is a collection of essays detailing Antonin Artaud's radical theories on drama and theatre, which he saw as being stifled by conservatism and lack of experimentation.Containing the famous manifestos of the 'Theatre of Cruelty', the collection analyses the underlying impulses of performance, provides some suggestions on a physical-training method for actors and actresses, and features a long appreciation of the expressive values of Eastern dance drama.

  • Geräte: PC
  • mit Kopierschutz
  • eBook Hilfe
  • Größe: 2.79MB
  • FamilySharing(5)
Produktbeschreibung
First published in 1938, The Theatre and Its Double is a collection of essays detailing Antonin Artaud's radical theories on drama and theatre, which he saw as being stifled by conservatism and lack of experimentation.Containing the famous manifestos of the 'Theatre of Cruelty', the collection analyses the underlying impulses of performance, provides some suggestions on a physical-training method for actors and actresses, and features a long appreciation of the expressive values of Eastern dance drama.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Antonin Artaud (1896 - 1948) was a French dramatist, poet, essayist, actor and theatre director, widely recognized as one of the major figures of twentieth-century theatre and the European avant-garde. Artaud's most significant contribution to drama theory is his "theater of cruelty" and, although it was not widely embraced in practice, the ideas have been, and continue to be, the subject of many essays on modern theater.