The Topeka School (eBook, ePUB)

A Novel

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FINALIST FOR THE PULITZER PRIZE WINNER OF THE LOS ANGELES TIMES BOOK PRIZE ONE OF THE NEW YORK TIMES TOP TEN BOOKS OF THE YEAR A TIME, GQ, Vulture, and WASHINGTON POST TOP 10 BOOK of the YEAR ONE OF BARACK OBAMA'S FAVORITE BOOKS OF THE YEAR Finalist for the National Book Critics Circle Award Shortlisted for the Rathbones Folio Prize Winner of the Hefner Heitz Kansas Book Award ALSO NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: Esquire, NPR, Vogue, Amazon, Kirkus, The Times (UK), Buzzfeed, Vanity Fair, The Telegraph (UK), Financial Times (UK), Lit Hub, The Times Literary Supplement (UK), The New York Post, Daily Mail (UK), The Atlantic, Publishers Weekly, The Guardian (UK), Electric Literature, SPY.com, and the New York Public Library From the award-winning author of 10:04 and Leaving the Atocha Station, a tender and expansive family drama set in the American Midwest at the turn of the century: a tale of adolescence, transgression, and the conditions that have given rise to the trolls and tyrants of the New Right Adam Gordon is a senior at Topeka High School, class of '97. His mother, Jane, is a famous feminist author; his father, Jonathan, is an expert at getting "lost boys" to open up. They both work at a psychiatric clinic that has attracted staff and patients from around the world. Adam is a renowned debater, expected to win a national championship before he heads to college. He is one of the cool kids, ready to fight or, better, freestyle about fighting if it keeps his peers from thinking of him as weak. Adam is also one of the seniors who bring the loner Darren Eberheart-who is, unbeknownst to Adam, his father's patient-into the social scene, to disastrous effect. Deftly shifting perspectives and time periods, The Topeka School is the story of a family, its struggles and its strengths: Jane's reckoning with the legacy of an abusive father, Jonathan's marital transgressions, the challenge of raising a good son in a culture of toxic masculinity. It is also a riveting prehistory of the present: the collapse of public speech, the trolls and tyrants of the New Right, and the ongoing crisis of identity among white men.

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Bewertung von miss.mesmerized aus Deutschland

30.09.2019

Adam Gordon is about finishing highschool, the only thing left to do are the final competitions in debating where he is a master and expected to become national champion. His parents have never paid much attention to this, even though they are psychoanalysts, really paying attention to the other … Mehr Adam Gordon is about finishing highschool, the only thing left to do are the final competitions in debating where he is a master and expected to become national champion. His parents have never paid much attention to this, even though they are psychoanalysts, really paying attention to the other family members seems to be something they cannot master. They are too much occupied with themselves, Adam‘s mother Jane who suffers from the lack of professional recognition, or their patients, Adam‘s father Jonathan who works with aggressive teenagers. I really adore Ben Lerner‘s style of writing, he is one of those contemporary storytellers I appreciate most, yet I struggle with bringing his latest novel to the point. It is narrated from three different points of views, his parents are talking in first person to the reader directly and Adam‘s story is narrated by a third person narrator. Between the chapters, the story of Darren, a teenager whi struggels mentally, is told. Even after having finished I am not sure what to make of this. Is this meant to underline the parents‘ egocentristic view which keeps them at a certain distance from their son? I do not know. Somehow the novel is a bit ecelctic, many pondering-worth topics are addressed, like e.g. how to cope with micro-aggressions and anxieties, what you remember and what your brain makes of these memories, talking to an analyst vs. talking to a friend, typical coming-of-age problems, feminism is a huge topic for Jane since she blames the lack of professional recognition mainly to the fact that she is a woman (which might well be the case). After all, maybe it is all about language and how dominance is expressed with words. For the male characters, they often babble without providing any serious content, but nevertheless, they dominate the discourse. Women like Jane are forced to rather retreat into themselves and talk to a fictitious reader or themselves, it is not for them to speak up in public. A lot of food for thought and this toxic masculinity which is addressed surely is one of the hottest topics in 2019. Weniger

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