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Anchored in artistic practice, this vibrant collection of essays and writings spans a period from 1992-2017 and the work of leading artists such as Adel Abdessemed, Richard Avedon, Sonia Boyce, Frank Bowling, Omer Fast, Mona Hatoum, Susan Hiller, Alfredo Jaar, Glenn Ligon and Shen Yuan. A key figure in British and international art, Gilane Tawadros draws difference to the surface, recuperating it as a potentially radical frame through which to understand contemporary art and the everyday world. Playing with forms of writing, from critical analyses to fictional narratives, the book functions as…mehr

Produktbeschreibung
Anchored in artistic practice, this vibrant collection of essays and writings spans a period from 1992-2017 and the work of leading artists such as Adel Abdessemed, Richard Avedon, Sonia Boyce, Frank Bowling, Omer Fast, Mona Hatoum, Susan Hiller, Alfredo Jaar, Glenn Ligon and Shen Yuan. A key figure in British and international art, Gilane Tawadros draws difference to the surface, recuperating it as a potentially radical frame through which to understand contemporary art and the everyday world. Playing with forms of writing, from critical analyses to fictional narratives, the book functions as a practice-based meditation on how to write about contemporary art.
Autorenporträt
Gilane Tawadros was the founding Director of the Institute of International Visual Arts (Iniva) in London, chaired by Professor Stuart Hall. She has spent her career in the visual arts both curating numerous exhibitions and writing extensively on contemporary art. Tawadros is a Trustee and Vice-Chair of the Stuart Hall Foundation, Trustee of the Stuart Croft Foundation, member of the Whitechapel Art Gallery Editorial Board and serves on the Board of European Visual Arts (EVA) and on the Intellectual Property Office's (IPO) Copyright Advisory Panel.