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This is a comprehensive overview of contemporary European theatre and performance as it enters the third decade of the twenty-first century. It combines critical discussions of key concepts, practitioners, and trends within theatre-making that are shaping European stage practice.
This is a comprehensive overview of contemporary European theatre and performance as it enters the third decade of the twenty-first century. It combines critical discussions of key concepts, practitioners, and trends within theatre-making that are shaping European stage practice.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Ralf Remshardt is an Emeritus Professor of Theatre in the School of Theatre and Dance at the University of Florida, USA. Aneta Mancewicz is a Senior Lecturer in Theatre and Performance Studies at Royal Holloway, University of London, UK.
Inhaltsangabe
Part 1: Mapping the continent 1. Albania Ermir Jonka and Evi Stamatiou 2. Austria Gabriele C. Pfeiffer and Brigitte Marschall 3. Belarus Tania Arcimovich 4. Belgium Kurt Vanhoutte and Karel van Haesebrouck 5. Bosnia and Herzegovina Maja Milatovic-Ovadia 6. Bulgaria Kamelia Nikolova 7. Croatia Una Bauer and Goran Pavli 8. Cyprus (Greek) Maria Hamali 9. Czech Republic David Drozd 10. Denmark Annelis Kuhlmann 11. Estonia Anneli Saro 12. Finland Hanna Korsberg 13. France Eliane Beaufils 14. Germany Peter Marx 15. Greece Avra Sidiropoulou 16. Hungary Jozefina Komporaly 17. Iceland Magnus Thor Thorbergsson 18. Ireland Tanya Dean 19. Israel Naphtaly Shem-Tov 20. Italy Anna Maria Cimitile 21. Kosovo Jeton Neziraj 22. Latvia Zane Kreicberga 23. Lithuania Jurgita Stanikyt 24. Malta Vicki Ann Cremona 25. Moldova Paula Erizanu 26. Montenegro Janko Ljomovi 27. The Netherlands Liesbeth Groot Nibbelink 28. North Macedonia Elena Marchevska 29. Norway Ine Therese Berg 30. Poland Marcin Köcielniak 31. Portugal Francesca Clare Rayner 32. Romania Jozefina Komporaly 33. Russia Julia Listengarten 34. Serbia Maja Milatovic-Ovadia 35. Slovakia Ján imko 36. Slovenia Barbara Orel 37. Spain Simon Breden Santos 38. Sweden Rikard Hoogland 39. Switzerland Beate Hochholdinger-Reiterer 40. Turkey Seda Ilter 41. United Kingdom Sam Haddow, Hannah Simpson, Anwen Miles Jones, and Trish Reid 42. Ukraine Olga Danylyuk Part 2: Charting themes A. Context 43. 1989 and after: East-West intercurrents at the turn of the millennium Vessela S. Warner 44. Language, translation, and multilingualism Margherita Laera 45. Transnational and translocal Benjamin Fowler 46. Staging neoliberal globalization in post-1989 Europe Philip Hager 47. Ecodramaturgies in times of climate crisis Kristof van Baarle 48. Crisis and activism as performance I l E rikavuk 49. Brexit and theatre Ruud van den Beuken 50. Performance in a pandemic Laura Bissell B. Cultures of theatre-making 51. Performance spaces and spatial performativity: Theatre has left the building Dorita Hannah 52. Sharing spaces: The art of scenography - some European perspectives Birgit Wiens 53. Beyond binaries: Postdramatic theatre and its multimodal textuality Avra Sidiropoulou 54. Models of creation and devising Synne K. Behrnd 55. Documentary theatre Liesbeth Groot Nibbelink 56. Intermedial theatre Chiel Kattenbelt and Aneta Mancewicz 57. Contemporary music theatre practices: Changing performative roles Matthias Rebstock 58. Regietheater Peter M. Boenisch 59. Theatre for young audiences in Europe Wolfgang Schneider 60. European physical theatre Mark Evans C. Inclusive and diverse practices 61. How and why? The Post/De-colonial as method in contemporary European theatre meLê yamomo 62. Theatrical strategies addressing migration S. E. Wilmer 63. Minorities and representation: Performing the margins Azadeh Sharifi 64. Womxn in performance Edith Cassiers 65. Queer performance Edith Cassiers 66. Disability in performance Sarah Hopfinger 67. Amateur theatre in Europe: Organisation, challenges, and values Antine Zijlstra, Vicki Ann Cremona, and Anneli Saro D. institutional structures 68. Nation, identity, and theatre - reimagining national theatre Zoltán Imre 69. Festivals and curation Katia Arfara 70. Politics and policies in the performing arts Wolfgang Schneider 71. Academic (and other) performance research in Europe Peter M. Boenisch 72. Performance training in Europe Isabel Guerrero and Rose Whyman 73. Community theatre / participatory theatre Adam Czirak 74. Theatre criticism and online culture / new media Anette Therese Pettersen Part 3: Surveying the creators 75. Belarus Free Theatre verity healey 76. The postdramatic extravaganza of Viktor Bodó's theatre Veronika Schandl 77. Gianina C rbunariu, Director-Playwright Cristina Modreanu 78. Emma Dante's theatre, or the contemporariness of things past Anna Maria Cimitile 79. dreamthinkspeak Rebecca McCutcheon 80. Oliver Frlji , an artist touching society's raw nerves Toma Toporii 81. Marta Górnicka Marcin Köcielniak 82. Alvis Hermanis through the lens of postcolonialism Ed te Tiheizere 83. Hotel Pro Forma Erik Exe Christoffersen and Kathrine Winkelhorn 84. Tomi Janei : Time is a political dimension Zala Dobovek 85. Angélica Liddell Remedios Perni 86. Philippe Quesne: Sustainable solutions for living on Earth. Performing alternative habitats and temporary communities on stage Chloé Déchery 87. Milo Rau Peter M. Boenisch 88. Tiago Rodrigues: Memory, melancholy, and learning stories by heart Rui Pina Coelho 89. Kirill Serebrennikov: A poet of the Outside between testimony and political provocation Yana Meerzon 90. She She Pop: The collective as content Ralf Remshardt 91. Theater HORA: Acting autonomously - representation and agency in Disabled Theater Kate Marsh 92. The theatre of Rimas Tuminas - Play, romanticism, the absurd Ramun Balevi i t 93. Lotte van den Berg: Building Conversation Lisebeth Groot Nibbelink 94. Vegard Vinge and Ida Müller Andrew Friedman
Part 1: Mapping the continent 1. Albania Ermir Jonka and Evi Stamatiou 2. Austria Gabriele C. Pfeiffer and Brigitte Marschall 3. Belarus Tania Arcimovich 4. Belgium Kurt Vanhoutte and Karel van Haesebrouck 5. Bosnia and Herzegovina Maja Milatovic-Ovadia 6. Bulgaria Kamelia Nikolova 7. Croatia Una Bauer and Goran Pavli 8. Cyprus (Greek) Maria Hamali 9. Czech Republic David Drozd 10. Denmark Annelis Kuhlmann 11. Estonia Anneli Saro 12. Finland Hanna Korsberg 13. France Eliane Beaufils 14. Germany Peter Marx 15. Greece Avra Sidiropoulou 16. Hungary Jozefina Komporaly 17. Iceland Magnus Thor Thorbergsson 18. Ireland Tanya Dean 19. Israel Naphtaly Shem-Tov 20. Italy Anna Maria Cimitile 21. Kosovo Jeton Neziraj 22. Latvia Zane Kreicberga 23. Lithuania Jurgita Stanikyt 24. Malta Vicki Ann Cremona 25. Moldova Paula Erizanu 26. Montenegro Janko Ljomovi 27. The Netherlands Liesbeth Groot Nibbelink 28. North Macedonia Elena Marchevska 29. Norway Ine Therese Berg 30. Poland Marcin Köcielniak 31. Portugal Francesca Clare Rayner 32. Romania Jozefina Komporaly 33. Russia Julia Listengarten 34. Serbia Maja Milatovic-Ovadia 35. Slovakia Ján imko 36. Slovenia Barbara Orel 37. Spain Simon Breden Santos 38. Sweden Rikard Hoogland 39. Switzerland Beate Hochholdinger-Reiterer 40. Turkey Seda Ilter 41. United Kingdom Sam Haddow, Hannah Simpson, Anwen Miles Jones, and Trish Reid 42. Ukraine Olga Danylyuk Part 2: Charting themes A. Context 43. 1989 and after: East-West intercurrents at the turn of the millennium Vessela S. Warner 44. Language, translation, and multilingualism Margherita Laera 45. Transnational and translocal Benjamin Fowler 46. Staging neoliberal globalization in post-1989 Europe Philip Hager 47. Ecodramaturgies in times of climate crisis Kristof van Baarle 48. Crisis and activism as performance I l E rikavuk 49. Brexit and theatre Ruud van den Beuken 50. Performance in a pandemic Laura Bissell B. Cultures of theatre-making 51. Performance spaces and spatial performativity: Theatre has left the building Dorita Hannah 52. Sharing spaces: The art of scenography - some European perspectives Birgit Wiens 53. Beyond binaries: Postdramatic theatre and its multimodal textuality Avra Sidiropoulou 54. Models of creation and devising Synne K. Behrnd 55. Documentary theatre Liesbeth Groot Nibbelink 56. Intermedial theatre Chiel Kattenbelt and Aneta Mancewicz 57. Contemporary music theatre practices: Changing performative roles Matthias Rebstock 58. Regietheater Peter M. Boenisch 59. Theatre for young audiences in Europe Wolfgang Schneider 60. European physical theatre Mark Evans C. Inclusive and diverse practices 61. How and why? The Post/De-colonial as method in contemporary European theatre meLê yamomo 62. Theatrical strategies addressing migration S. E. Wilmer 63. Minorities and representation: Performing the margins Azadeh Sharifi 64. Womxn in performance Edith Cassiers 65. Queer performance Edith Cassiers 66. Disability in performance Sarah Hopfinger 67. Amateur theatre in Europe: Organisation, challenges, and values Antine Zijlstra, Vicki Ann Cremona, and Anneli Saro D. institutional structures 68. Nation, identity, and theatre - reimagining national theatre Zoltán Imre 69. Festivals and curation Katia Arfara 70. Politics and policies in the performing arts Wolfgang Schneider 71. Academic (and other) performance research in Europe Peter M. Boenisch 72. Performance training in Europe Isabel Guerrero and Rose Whyman 73. Community theatre / participatory theatre Adam Czirak 74. Theatre criticism and online culture / new media Anette Therese Pettersen Part 3: Surveying the creators 75. Belarus Free Theatre verity healey 76. The postdramatic extravaganza of Viktor Bodó's theatre Veronika Schandl 77. Gianina C rbunariu, Director-Playwright Cristina Modreanu 78. Emma Dante's theatre, or the contemporariness of things past Anna Maria Cimitile 79. dreamthinkspeak Rebecca McCutcheon 80. Oliver Frlji , an artist touching society's raw nerves Toma Toporii 81. Marta Górnicka Marcin Köcielniak 82. Alvis Hermanis through the lens of postcolonialism Ed te Tiheizere 83. Hotel Pro Forma Erik Exe Christoffersen and Kathrine Winkelhorn 84. Tomi Janei : Time is a political dimension Zala Dobovek 85. Angélica Liddell Remedios Perni 86. Philippe Quesne: Sustainable solutions for living on Earth. Performing alternative habitats and temporary communities on stage Chloé Déchery 87. Milo Rau Peter M. Boenisch 88. Tiago Rodrigues: Memory, melancholy, and learning stories by heart Rui Pina Coelho 89. Kirill Serebrennikov: A poet of the Outside between testimony and political provocation Yana Meerzon 90. She She Pop: The collective as content Ralf Remshardt 91. Theater HORA: Acting autonomously - representation and agency in Disabled Theater Kate Marsh 92. The theatre of Rimas Tuminas - Play, romanticism, the absurd Ramun Balevi i t 93. Lotte van den Berg: Building Conversation Lisebeth Groot Nibbelink 94. Vegard Vinge and Ida Müller Andrew Friedman
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