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This collection of essays offers global perspectives on feminist utopia and dystopia in speculative literature, film and art, working from a range of intersectional approaches to examine key works and genres in both their specific cultural context and a wider, global, epistemological, critical background.
This collection of essays offers global perspectives on feminist utopia and dystopia in speculative literature, film and art, working from a range of intersectional approaches to examine key works and genres in both their specific cultural context and a wider, global, epistemological, critical background.
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Tomasz Fisiak is Assistant Professor in the Department of British Literature and Culture, Institute of English Studies, University of Lodz. His book She-(d)evils? The Construction of a Female Tyrant as a Cultural Critique was published in 2020 by Peter Lang. His academic interests include Gothic fiction/cinema, gender/queer/feminist issues, dys/utopian fiction, and popular/pulp culture. He is a member of the editorial team of Text Matters: A Journal of Literature, Theory and Culture. He is currently a team member of the project Word, Sound and Image: Intertextuality in Music Videos no. 2019/33/B/HS2/00131 financed by National Science Centre in Poland. Katarzyna Ostalska is Associate Professor in the Department of British Literature and Culture at the University of Lodz, Poland. She is the head of the Posthumanities Research Centre at the Faculty of Philology, University of Lodz. She holds a PhD and postdoctoral degree (habilitation) in literature. Her research includes contemporary British and Irish literature and culture, particularly Irish women poets, gender studies, posthumanism, speculative fiction, animal studies, ecofeminism, and film studies. Her post-doctoral monograph Towards Female Empowerment-The New Generation of Irish Women Poets: Vona Groarke, Sinéad Morrissey, Caitríona O'Reilly, and Mary O'Donoghue was published in 2015. She co-edited two collections of essays and a journal's special issue on speculative fiction (2020).
Inhaltsangabe
Foreword: A Utopian/Dystopian Spectrum: From Friendship to Fear, From Consent to Coercion Gregory Claeys Utopia and Dystopia in the 21st Century: Feminism, Intersectionality, and the Rejection of Binarism Katarzyna Ostalska and Tomasz Fisiak Part I: Between Anthropocenic Dystopia And Ecological Utopia Chapter 1: In Need of New Narratives: Feminist Ustopian Fiction Challenging the Anthropocene Alessandra Boller Chapter 2: Post-Anthropocentric Ethics of Care in Turn-of-the-Century Fiction Katarzyna Wi ckowska Chapter 3: Environmental Dys/Utopian Short Stories in Olga Tokarczuk's Opowiadania Bizarne Agnieszka owczanin Part II: The Materiality Of Posthuman Intersections And Speculative Discourse In Fiction And Art Chapter 4: Critical Hope: Relationalities in 21st-Century Speculative Fiction and Art Dunja M. Mohr Chapter 5: The Mesotopia: From Speculative Realism To Speculative Artistic Events Tristan Verran Chapter 6: Neganthropic Architecture(s): Renee Gladman's Speculative Reorientation of Science-Fiction Mägorzata Myk Part III: Between History And Sexual Politics: Alternate Herstories And Historical Alternatives Chapter 7: Temporal Politics: Entangling Fictions, Futures, and Histories in Contemporary and Historical Speculative Fiction Adam Stock Chapter 8: Utopia of Intimacy: "The Fear of the Flesh," Hyper-Sexualisation, Libidinal Exhaustion, and a New Sexual Politics beyond Oedipal (Wo)man Mark Featherstone Chapter 9: Do Cyborgs Dream of (Becoming) People? The Alternative Non-Human Self in Ian McEwan's Machines Like Me Tomasz Dobrogoszcz Part IV: In-Between Feminist And Postfeminist Dys/Utopias Chapter 10: Twenty-First Century Gileads: Feminist Dystopian Fiction after Atwood-The Handmaid's Tale, The Natural Way of Things, The Water Cure, and The Testaments Fiona Tolan Chapter 11: A Rage of Her Own: The Unpredictable Powers of Female Flight in Nnedi Okorafor's The Book of Phoenix Svetlana Stefanova Chapter 12: Feminist Utopianism in the Posthuman Worlds of Last Ones Left Alive by Sarah Davis-Goff and Individutopia by Joss Sheldon Katarzyna Ostalska Chapter 13: Developing the F-word: Representing Adolescent Womanhood and Race in Young-Adult Dystopian Novels Cristina Paravano Part V: Beyond The Gender And Structural Binaries In Dys/Utopian Cinema Chapter 14: Alien Bodies, Alien Selves: Under the Skin (2013) and Beyond Tomasz Fisiak Chapter 15: Dys/utopian Narratives on the Screen: Beyond the Binaries in Children of Men and The Lobster Emrah Atasoy Chapter 16: Zombie Mayhem in Austen's Hertfordshire-Intersectionality of Class and Gender Politics in Burr Steers's Pride and Prejudice and Zombies Magdalena Cie lak Chapter 17: "Where did all you zombies come from?" Gendered Pasts, Presents and Futures in Robert Heinlein's "All You Zombies" and the Film Adaptation Predestination Emily Cox-Palmer-White
Foreword: A Utopian/Dystopian Spectrum: From Friendship to Fear, From Consent to Coercion Gregory Claeys Utopia and Dystopia in the 21st Century: Feminism, Intersectionality, and the Rejection of Binarism Katarzyna Ostalska and Tomasz Fisiak Part I: Between Anthropocenic Dystopia And Ecological Utopia Chapter 1: In Need of New Narratives: Feminist Ustopian Fiction Challenging the Anthropocene Alessandra Boller Chapter 2: Post-Anthropocentric Ethics of Care in Turn-of-the-Century Fiction Katarzyna Wi ckowska Chapter 3: Environmental Dys/Utopian Short Stories in Olga Tokarczuk's Opowiadania Bizarne Agnieszka owczanin Part II: The Materiality Of Posthuman Intersections And Speculative Discourse In Fiction And Art Chapter 4: Critical Hope: Relationalities in 21st-Century Speculative Fiction and Art Dunja M. Mohr Chapter 5: The Mesotopia: From Speculative Realism To Speculative Artistic Events Tristan Verran Chapter 6: Neganthropic Architecture(s): Renee Gladman's Speculative Reorientation of Science-Fiction Mägorzata Myk Part III: Between History And Sexual Politics: Alternate Herstories And Historical Alternatives Chapter 7: Temporal Politics: Entangling Fictions, Futures, and Histories in Contemporary and Historical Speculative Fiction Adam Stock Chapter 8: Utopia of Intimacy: "The Fear of the Flesh," Hyper-Sexualisation, Libidinal Exhaustion, and a New Sexual Politics beyond Oedipal (Wo)man Mark Featherstone Chapter 9: Do Cyborgs Dream of (Becoming) People? The Alternative Non-Human Self in Ian McEwan's Machines Like Me Tomasz Dobrogoszcz Part IV: In-Between Feminist And Postfeminist Dys/Utopias Chapter 10: Twenty-First Century Gileads: Feminist Dystopian Fiction after Atwood-The Handmaid's Tale, The Natural Way of Things, The Water Cure, and The Testaments Fiona Tolan Chapter 11: A Rage of Her Own: The Unpredictable Powers of Female Flight in Nnedi Okorafor's The Book of Phoenix Svetlana Stefanova Chapter 12: Feminist Utopianism in the Posthuman Worlds of Last Ones Left Alive by Sarah Davis-Goff and Individutopia by Joss Sheldon Katarzyna Ostalska Chapter 13: Developing the F-word: Representing Adolescent Womanhood and Race in Young-Adult Dystopian Novels Cristina Paravano Part V: Beyond The Gender And Structural Binaries In Dys/Utopian Cinema Chapter 14: Alien Bodies, Alien Selves: Under the Skin (2013) and Beyond Tomasz Fisiak Chapter 15: Dys/utopian Narratives on the Screen: Beyond the Binaries in Children of Men and The Lobster Emrah Atasoy Chapter 16: Zombie Mayhem in Austen's Hertfordshire-Intersectionality of Class and Gender Politics in Burr Steers's Pride and Prejudice and Zombies Magdalena Cie lak Chapter 17: "Where did all you zombies come from?" Gendered Pasts, Presents and Futures in Robert Heinlein's "All You Zombies" and the Film Adaptation Predestination Emily Cox-Palmer-White
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