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Canada's most famous Indigenous playwright, Tomson Highway, sets his latest theatrical achievement, The (Post) Mistress , in a not-so-distant past, when sending letters through the mail was still vital to communicating with friends and loved ones, and the small-town post office was often the only connection to faraway places longed-for or imagined.
Born and raised in Lovely, Ontario, a small French-Canadian farming village near Lake Huron, Marie-Louise Painchaud has never had occasion to venture much farther than the nearest community - Complexity, a copper-mining town and a somewhat larger
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Produktbeschreibung
Canada's most famous Indigenous playwright, Tomson Highway, sets his latest theatrical achievement, The (Post) Mistress, in a not-so-distant past, when sending letters through the mail was still vital to communicating with friends and loved ones, and the small-town post office was often the only connection to faraway places longed-for or imagined.

Born and raised in Lovely, Ontario, a small French-Canadian farming village near Lake Huron, Marie-Louise Painchaud has never had occasion to venture much farther than the nearest community - Complexity, a copper-mining town and a somewhat larger dot on the map of the Georgia Bay area. For thirty years, Marie-Louise has worked at the local post office, and, through the many letters she sorts when they arrive and the ones that she stamps before they go out, she has come to know the lives of everyone in town and vicariously experience their various loves, losses, and personal dramas.

In this one-woman musical tour de force, Marie-Louise confides in us the interwoven stories sealed in the envelopes she handles every day. A samba beat offers the soundtrack for the tale of a local woman's passion- ate but doomed affair with a man from Rio de Janeiro; a rhythmic tango plays as Marie-Louise divulges a friend's steamy tryst in Argentina. All together, twelve unique musical pieces, ranging from Berlin cabaret to French café chanson to smooth bossa nova, accompany a multilingual French, Cree, and English libretto.

In The (Post) Mistress, Tomson Highway creates not only a rural comedy but also a sublime parody of small-town life - the northern Ontario version of Thornton Wilder's Our Town or Stephen Leacock's Sunshine Sketches of a Little Town.

Cast of 1 woman.

Music from The (Post) Mistress is available at http://goo.gl/ivtwqA


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Autorenporträt
Tomson Highway was born near Maria Lake, Manitoba in 1951. His father, Joe, was a hunter, fisherman and sled-dog racer, and his family lived a nomadic lifestyle. With no access to books, television or radio, Highway's parents would tell their children stories; thus began Highway's life-long interest in the oral tradition of storytelling. When he was six, Highway was taken from his family and placed in residential school in The Pas; he subsequently went to high school in Winnipeg and then travelled to London to study at the University of Western Ontario, earning a music degree in 1975 and a Bachelor of Arts degree in 1976. Instead of becoming a professional concert musician as he had at one point contemplated, however, Highway decided instead to dedicate his life to the service of his people. Fluent in Cree, English and French, he was for six years the artistic director of Native Earth Performing Arts, the first and most enduring Native professional company in Canada which he also helped found. From 1975 to 1978 Highway worked as a cultural worker for the Native Peoples' Resource Centre. He has worked for the Ontario Ministry of Citizenship and Culture and also for the Ontario Federation of Indian Friendship Centres as a program analyst. From 1983 to 1985 he worked as a freelance theatre artist before becoming the artistic director of the De-ba-jeh-mu-jig Theatre Company in 1986. He has been writer-in-residence at the University of Toronto, University of British Columbia, and Concordia University. Tomson Highway is widely recognized for his tremendous contribution to the development of Aboriginal theatre in both Canada and around the world. In 1994, he was inducted into the Order of Canada, the first Aboriginal writer to be so honoured.