Mohammed Hamdouni Alami

The Origins of Visual Culture in the Islamic World (eBook, ePUB)

Aesthetics, Art and Architecture in Early Islam

• Format: ePub

Produktbeschreibung

In tenth-century Iraq, a group of Arab intellectuals and scholars known as the Ikhwan al-Safa began to make their intellectual mark on the society around them. A mysterious organisation, the identities of its members have never been clear. But its contribution to the philosophy, art and culture of the era - and indeed subsequent ones - is evident. In the visual arts, for example, Hamdouni Alami argues that the theory of human proportions which the Ikwan al-Safa propounded (something very similar to those of da Vinci), helped shape the evolution of the philosophy of aesthetics, art and architecture in the tenth and eleventh centuries CE, in particular in Egypt under the Fatimid rulers. By examining the arts of the Fatimids, focusing on painting and architectural works such as the first Fatimid mosque in al-Mahdiyya, Tunisia, Hamdouni Alami offers analysis of the debates surrounding the ethics of the appreciation of Islamic art and architecture from a vital time in medieval Middle Eastern history, and shows their similarity with aesthetic debates of Italian Renaissance

Produktdetails

• Verlag: Bloomsbury UK
• Seitenzahl: 200
• Erscheinungstermin: 17. April 2015
• Englisch
• ISBN-13: 9780857738868
• Artikelnr.: 47256603

Autorenporträt

Mohammed Hamdouni Alami is an Associate Researcher in the Archaeological Research Facility at the University of California, Berkeley, USA.

Inhaltsangabe

Chapter 1: Introduction: From La Dolce Vita to Intellectual Delectation
Chapter 2: An Aesthetic Revolution: From Trance to Meaning, a Metamorphosis
of Islamic Aesthetics Chapter 3: The Ethics of Arts and Crafts Chapter 4:
Painting in a World of Images Chapter 5: Stone Metaphors and Architecture's
Whispers Chapter 6: Conclusion

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Chapter 1: Introduction: From La Dolce Vita to Intellectual DelectationChapter 2: An Aesthetic Revolution: From Trance to Meaning, a Metamorphosis of Islamic AestheticsChapter 3: The Ethics of Arts and CraftsChapter 4: Painting in a World of ImagesChapter 5: Stone Metaphors and Architecture's WhispersChapter 6: Conclusion