William Johnson Galloway

The Operatic Problem (eBook, ePUB)

• Format: ePub

Produktbeschreibung

William Johnson Galloway's 'The Operatic Problem' takes a deep dive into the world of opera, exploring its historical significance and influence on Western culture. Through detailed analysis and scholarly research, Galloway dissects the complexities of various operatic works, shedding light on their political, social, and artistic meanings. The book is written in a captivating and engaging literary style, making it accessible to both opera enthusiasts and scholars alike. Galloway's meticulous attention to detail and profound insights into the opera genre set this book apart as a must-read for anyone interested in understanding the depth and richness of opera as an art form. The book's exploration of the operatic landscape offers a fresh perspective on the genre, challenging readers to think critically and appreciate opera in new ways.

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Produktdetails

• Verlag: Good Press
• Seitenzahl: 194
• Erscheinungstermin: 20. Dezember 2019
• Englisch
• ISBN-13: 4064066142964
• Artikelnr.: 58760302

Autorenporträt

William Johnson Galloway remains a somewhat obscured figure in literary scholarship, yet his limited but pointed contribution to the world of artistic criticism, particularly within the sphere of opera, merits attention. His work, 'The Operatic Problem', delves into the complex world of operatic performance, production, and aesthetics, revealing Galloway's incisive understanding of this form of art. Galloway approaches the subject not merely as an observer but as a critic deeply concerned with what he perceives as challenges and issues inherent in staging and appreciating opera in the contemporary context. His writing is characterized by a nuanced appreciation for the art form's historical development along with a modernist's gaze toward the future of operatic tradition. While Galloway may not be a household name, 'The Operatic Problem' has become a niche yet important work for students and enthusiasts of opera who seek to understand the intricacies and critiques surrounding operatic performances. The depth with which Galloway explores the subject suggests a scholarly background in music theory, history, or criticism, although biographical details about his life and education remain scant. Still, 'The Operatic Problem' stands as a testament to Galloway's literary foray and offers valuable insight into the early 20th-century perspectives on one of the most elaborate and emotive performance arts.