Elena Anastasaki
The Myth and Identity of the Romantic Artist in European Literature (eBook, PDF)
A Self-Constructed Fantasy
40,95 €
40,95 €
inkl. MwSt.
Sofort per Download lieferbar
20 °P sammeln
40,95 €
Als Download kaufen
40,95 €
inkl. MwSt.
Sofort per Download lieferbar
20 °P sammeln
Jetzt verschenken
Alle Infos zum eBook verschenken
40,95 €
inkl. MwSt.
Sofort per Download lieferbar
Alle Infos zum eBook verschenken
20 °P sammeln
Elena Anastasaki
The Myth and Identity of the Romantic Artist in European Literature (eBook, PDF)
A Self-Constructed Fantasy
- Format: PDF
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei
bücher.de, um das eBook-Abo tolino select nutzen zu können.
Hier können Sie sich einloggen
Hier können Sie sich einloggen
Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
This study in comparative literature contributes to the understanding of the myth of the artist as a European cultural construct and investigates the processes of personal mythmaking. The construction of romantic identity is studied in an interdisciplinary perspective, insisting on the strategies employed to produce a typology of the artist
- Geräte: PC
- ohne Kopierschutz
- eBook Hilfe
- Größe: 2.47MB
Andere Kunden interessierten sich auch für
- Elena AnastasakiThe Myth and Identity of the Romantic Artist in European Literature (eBook, ePUB)40,95 €
- Josh TorabiMusic and Myth in Modern Literature (eBook, PDF)40,95 €
- Eike KronshageVision and Character (eBook, PDF)40,95 €
- Women in Rock, Women in Romanticism (eBook, PDF)40,95 €
- Jean-Pierre BarricelliBalzac and Music (eBook, PDF)80,95 €
- Kristin Flieger SamuelianThe Moving Body and the English Romantic Imaginary (eBook, PDF)40,95 €
- Myth and Environmentalism (eBook, PDF)37,95 €
-
-
-
This study in comparative literature contributes to the understanding of the myth of the artist as a European cultural construct and investigates the processes of personal mythmaking. The construction of romantic identity is studied in an interdisciplinary perspective, insisting on the strategies employed to produce a typology of the artist
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 232
- Erscheinungstermin: 4. August 2022
- Englisch
- ISBN-13: 9781000627268
- Artikelnr.: 64155971
- Verlag: Taylor & Francis
- Seitenzahl: 232
- Erscheinungstermin: 4. August 2022
- Englisch
- ISBN-13: 9781000627268
- Artikelnr.: 64155971
Elena Anastasaki is Assistant Professor of Comparative Literature at the Department of Language and Intercultural Studies at the University of Thessaly (Greece). She holds a PhD in Comparative Literature from the Universities of Kent and Paris 8.
Acknowledgments
Notes on Translation
Introduction
* Overview of the Background Scene
* Outline of Approach, Key Concepts and Methodology
* Book Structure
Part One
Chapter 1, Forming Identity: An Interdisciplinary Approach
1. Ethos and the Image of the Author
2. Narrative and Identity Theories: Narrating the Self, an Ontological Dilemma
3. Identity and Aesthetics
* Kant, Schiller, and Romantic Aesthetics
Chapter 2, The Making of Artistic Genius
4. A philosophical Concept
5. The Figure of Chatterton
* Coleridge's Chatterton: A Life-long Companion
* Alfred de Vigny's Chatterton: The Emblem of a Social Cause
Chapter 3, Goethe's Prometheus, Rousseau's Pygmalion, and their Progeny
6. "Here sit I, forming mortals / After my image": The Promethean Artist
* Johann Wolfgang von Goethe, "Prometheus"
* Lord Byron, "Ode to Prometheus"
* Percy Bysshe Shelley, Prometheus Unbound
* Victor Hugo, "Genius," "The grieving poem weeps"
* Théophile Gautier, "On the Prometheus of Madrid"
7. Pygmalion and the Ontological Status of the Work of Art
* Jean-Jacques Rousseau, Pygmalion
* Thomas Lovell Beddoes, "Pygmalion, or the Cyprian Statuary"
Part Two
Chapter 4, "Now, if I know myself, I should say, that I have no character
at all"-Byron's Mythmaking Strategies
* The Quest for a Personal Voice
* The Poet's Physical Appearance
* The Poet as Pilgrim: Childe Harold's Pilgrimage
* Poetic Ventriloquism: The Lament of Tasso and The Prophecy of Dante
* Byron's Public Persona
Chapter 5, Percy Shelley and the Metaphysical Authenticity of the Poet
* Alastor, or The Adventures of the Poetic Mind
* From Aesthetic Experience to the Aesthetic Self
* Adonais, or the Self from Without - Pivotal Moments of Self Awareness
* From Poet to Poet: "To Wordsworth" and "Lines to __" ("Sonnet to
Byron")
Chapter 6, Honoré de Balzac, the Napoleon of Letters
8. "[L]a tête dans le ciel et les pieds sur cette terre" - Balzac's Fictional
Artists
* The Portrait of the Artist as an Old Man
* The Artist as Martyr
9. Sympathetic Parody: Grotesque and Sublime Identities
* The Bourgeois Artist
Chapter 7, Théophile Gautier, Stylistic Identity and Poetic Time
* The Negation of the Self: Les Jeunes-France
* The Golden Fleece: A Quest for Rubens' Blonds, or How Art Spoils
Reality
* Autobiographic Sketches and the Poet as Shapeshifter
Conclusion, A Sociopoetical Approach to Genius
* Materialistic Representations of Genius
* The Poet's Two Bodies
* Napoleon
* Artistic Identity as a Narrative Construct in a European Context
Works Cited and Consulted
Notes on Translation
Introduction
* Overview of the Background Scene
* Outline of Approach, Key Concepts and Methodology
* Book Structure
Part One
Chapter 1, Forming Identity: An Interdisciplinary Approach
1. Ethos and the Image of the Author
2. Narrative and Identity Theories: Narrating the Self, an Ontological Dilemma
3. Identity and Aesthetics
* Kant, Schiller, and Romantic Aesthetics
Chapter 2, The Making of Artistic Genius
4. A philosophical Concept
5. The Figure of Chatterton
* Coleridge's Chatterton: A Life-long Companion
* Alfred de Vigny's Chatterton: The Emblem of a Social Cause
Chapter 3, Goethe's Prometheus, Rousseau's Pygmalion, and their Progeny
6. "Here sit I, forming mortals / After my image": The Promethean Artist
* Johann Wolfgang von Goethe, "Prometheus"
* Lord Byron, "Ode to Prometheus"
* Percy Bysshe Shelley, Prometheus Unbound
* Victor Hugo, "Genius," "The grieving poem weeps"
* Théophile Gautier, "On the Prometheus of Madrid"
7. Pygmalion and the Ontological Status of the Work of Art
* Jean-Jacques Rousseau, Pygmalion
* Thomas Lovell Beddoes, "Pygmalion, or the Cyprian Statuary"
Part Two
Chapter 4, "Now, if I know myself, I should say, that I have no character
at all"-Byron's Mythmaking Strategies
* The Quest for a Personal Voice
* The Poet's Physical Appearance
* The Poet as Pilgrim: Childe Harold's Pilgrimage
* Poetic Ventriloquism: The Lament of Tasso and The Prophecy of Dante
* Byron's Public Persona
Chapter 5, Percy Shelley and the Metaphysical Authenticity of the Poet
* Alastor, or The Adventures of the Poetic Mind
* From Aesthetic Experience to the Aesthetic Self
* Adonais, or the Self from Without - Pivotal Moments of Self Awareness
* From Poet to Poet: "To Wordsworth" and "Lines to __" ("Sonnet to
Byron")
Chapter 6, Honoré de Balzac, the Napoleon of Letters
8. "[L]a tête dans le ciel et les pieds sur cette terre" - Balzac's Fictional
Artists
* The Portrait of the Artist as an Old Man
* The Artist as Martyr
9. Sympathetic Parody: Grotesque and Sublime Identities
* The Bourgeois Artist
Chapter 7, Théophile Gautier, Stylistic Identity and Poetic Time
* The Negation of the Self: Les Jeunes-France
* The Golden Fleece: A Quest for Rubens' Blonds, or How Art Spoils
Reality
* Autobiographic Sketches and the Poet as Shapeshifter
Conclusion, A Sociopoetical Approach to Genius
* Materialistic Representations of Genius
* The Poet's Two Bodies
* Napoleon
* Artistic Identity as a Narrative Construct in a European Context
Works Cited and Consulted
Acknowledgments
Notes on Translation
Introduction
* Overview of the Background Scene
* Outline of Approach, Key Concepts and Methodology
* Book Structure
Part One
Chapter 1, Forming Identity: An Interdisciplinary Approach
1. Ethos and the Image of the Author
2. Narrative and Identity Theories: Narrating the Self, an Ontological Dilemma
3. Identity and Aesthetics
* Kant, Schiller, and Romantic Aesthetics
Chapter 2, The Making of Artistic Genius
4. A philosophical Concept
5. The Figure of Chatterton
* Coleridge's Chatterton: A Life-long Companion
* Alfred de Vigny's Chatterton: The Emblem of a Social Cause
Chapter 3, Goethe's Prometheus, Rousseau's Pygmalion, and their Progeny
6. "Here sit I, forming mortals / After my image": The Promethean Artist
* Johann Wolfgang von Goethe, "Prometheus"
* Lord Byron, "Ode to Prometheus"
* Percy Bysshe Shelley, Prometheus Unbound
* Victor Hugo, "Genius," "The grieving poem weeps"
* Théophile Gautier, "On the Prometheus of Madrid"
7. Pygmalion and the Ontological Status of the Work of Art
* Jean-Jacques Rousseau, Pygmalion
* Thomas Lovell Beddoes, "Pygmalion, or the Cyprian Statuary"
Part Two
Chapter 4, "Now, if I know myself, I should say, that I have no character
at all"-Byron's Mythmaking Strategies
* The Quest for a Personal Voice
* The Poet's Physical Appearance
* The Poet as Pilgrim: Childe Harold's Pilgrimage
* Poetic Ventriloquism: The Lament of Tasso and The Prophecy of Dante
* Byron's Public Persona
Chapter 5, Percy Shelley and the Metaphysical Authenticity of the Poet
* Alastor, or The Adventures of the Poetic Mind
* From Aesthetic Experience to the Aesthetic Self
* Adonais, or the Self from Without - Pivotal Moments of Self Awareness
* From Poet to Poet: "To Wordsworth" and "Lines to __" ("Sonnet to
Byron")
Chapter 6, Honoré de Balzac, the Napoleon of Letters
8. "[L]a tête dans le ciel et les pieds sur cette terre" - Balzac's Fictional
Artists
* The Portrait of the Artist as an Old Man
* The Artist as Martyr
9. Sympathetic Parody: Grotesque and Sublime Identities
* The Bourgeois Artist
Chapter 7, Théophile Gautier, Stylistic Identity and Poetic Time
* The Negation of the Self: Les Jeunes-France
* The Golden Fleece: A Quest for Rubens' Blonds, or How Art Spoils
Reality
* Autobiographic Sketches and the Poet as Shapeshifter
Conclusion, A Sociopoetical Approach to Genius
* Materialistic Representations of Genius
* The Poet's Two Bodies
* Napoleon
* Artistic Identity as a Narrative Construct in a European Context
Works Cited and Consulted
Notes on Translation
Introduction
* Overview of the Background Scene
* Outline of Approach, Key Concepts and Methodology
* Book Structure
Part One
Chapter 1, Forming Identity: An Interdisciplinary Approach
1. Ethos and the Image of the Author
2. Narrative and Identity Theories: Narrating the Self, an Ontological Dilemma
3. Identity and Aesthetics
* Kant, Schiller, and Romantic Aesthetics
Chapter 2, The Making of Artistic Genius
4. A philosophical Concept
5. The Figure of Chatterton
* Coleridge's Chatterton: A Life-long Companion
* Alfred de Vigny's Chatterton: The Emblem of a Social Cause
Chapter 3, Goethe's Prometheus, Rousseau's Pygmalion, and their Progeny
6. "Here sit I, forming mortals / After my image": The Promethean Artist
* Johann Wolfgang von Goethe, "Prometheus"
* Lord Byron, "Ode to Prometheus"
* Percy Bysshe Shelley, Prometheus Unbound
* Victor Hugo, "Genius," "The grieving poem weeps"
* Théophile Gautier, "On the Prometheus of Madrid"
7. Pygmalion and the Ontological Status of the Work of Art
* Jean-Jacques Rousseau, Pygmalion
* Thomas Lovell Beddoes, "Pygmalion, or the Cyprian Statuary"
Part Two
Chapter 4, "Now, if I know myself, I should say, that I have no character
at all"-Byron's Mythmaking Strategies
* The Quest for a Personal Voice
* The Poet's Physical Appearance
* The Poet as Pilgrim: Childe Harold's Pilgrimage
* Poetic Ventriloquism: The Lament of Tasso and The Prophecy of Dante
* Byron's Public Persona
Chapter 5, Percy Shelley and the Metaphysical Authenticity of the Poet
* Alastor, or The Adventures of the Poetic Mind
* From Aesthetic Experience to the Aesthetic Self
* Adonais, or the Self from Without - Pivotal Moments of Self Awareness
* From Poet to Poet: "To Wordsworth" and "Lines to __" ("Sonnet to
Byron")
Chapter 6, Honoré de Balzac, the Napoleon of Letters
8. "[L]a tête dans le ciel et les pieds sur cette terre" - Balzac's Fictional
Artists
* The Portrait of the Artist as an Old Man
* The Artist as Martyr
9. Sympathetic Parody: Grotesque and Sublime Identities
* The Bourgeois Artist
Chapter 7, Théophile Gautier, Stylistic Identity and Poetic Time
* The Negation of the Self: Les Jeunes-France
* The Golden Fleece: A Quest for Rubens' Blonds, or How Art Spoils
Reality
* Autobiographic Sketches and the Poet as Shapeshifter
Conclusion, A Sociopoetical Approach to Genius
* Materialistic Representations of Genius
* The Poet's Two Bodies
* Napoleon
* Artistic Identity as a Narrative Construct in a European Context
Works Cited and Consulted