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This book examines the origin, content, and development of the musical thought of Heinrich Schenker and Arnold Schoenberg. One of the premises is that their inner musical lives are inseparable from their inner spiritual lives. Curiously, they start out in much the same musical-spiritual place, yet musically they split while spiritually they grow closer. Bringing to light a trove of unpublished material, Arndt argues that Schenker's and Schoenberg's conflict reflects the tension inherent in their shared conception of the tone as an ideal sound realized in the spiritual eye of the genius.

Produktbeschreibung
This book examines the origin, content, and development of the musical thought of Heinrich Schenker and Arnold Schoenberg. One of the premises is that their inner musical lives are inseparable from their inner spiritual lives. Curiously, they start out in much the same musical-spiritual place, yet musically they split while spiritually they grow closer. Bringing to light a trove of unpublished material, Arndt argues that Schenker's and Schoenberg's conflict reflects the tension inherent in their shared conception of the tone as an ideal sound realized in the spiritual eye of the genius.


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Autorenporträt
Matthew Arndt, Associate Professor of Music Theory at the University of Iowa, holds a PhD from the University of Wisconsin·Madison, an MM from the University of Colorado at Boulder, and a BA with honors from Lewis & Clark College. He has previously taught at Mercer University, Lawrence University, and the University of Wisconsin·Madison. Professor Arndt primarily studies the application of insights from the history of music theory to music theory pedagogy, analysis, and criticism. He also studies technical aspects of sacred music from the Republic of Georgia.