V. Dika

The (Moving) Pictures Generation (eBook, PDF)

The Cinematic Impulse in Downtown New York Art and Film

• Format: PDF

Produktbeschreibung

Produktdetails

• Verlag: Palgrave Macmillan US
• Erscheinungstermin: 14. März 2012
• Englisch
• ISBN-13: 9781137118516
• Artikelnr.: 46754186

Autorenporträt

Inhaltsangabe

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Prologue: Downtown New York in the Late 1970s and Beyond
Part I: (Moving) Pictures
(Moving) Pictures: Introduction
Stillness/Movement: Joseph Cornell, Edison Company, Andy Warhol, Jack Goldstein
The Female Body and the Film Frame: Andy Warhol, Cindy Sherman
Vivienne Dick's Film Portraits
Part II: Community
Amos Poe and the New York New Wave
Downtown and Community: Eric Mitchell, James Nares, Nan Goldin
Part III: Narrative Expectations
Strategies of Transformation: Jack Goldstein, Robert Longo, Cindy Sherman
Strategies of Opposition: Eric Mitchell, Kathryn Bigelow, Lizzie Borden
Part IV: The Cinematic Body
Performance and the Cinematic: Paul Swan , Eric Bogosian
The Ephemeral Body/The Female Voice: Louise Lawler, Ericka Beckman
Part V: Downtown and the Mainstream
Incursions into Popular Culture: Robert Longo, Cindy Sherman, Kathryn Bigelow
Conclusion and Continuation

Rezensionen

"An intensive study of important activities in the New York art world of the late 1970s, this book manages the tricky feat of being at once broad in its concerns and concentrated in its attention to key figures, works, and propensities within an informal yet clearly identifiable movement. Dika gives an enlightening and edifying account of an art movement that has never been more vividly evoked and thoughtfully interpreted. This book constitutes a major intervention in the field." - David Sterritt, Columbia University, the Maryland Institute College of Art, and chair of the National Society of Film Critics

"Beautifully written, The (Moving) Pictures Generation is the best single text on this era of the US avant-garde cinema. Dika's brilliant research brings developments in cinema, art, and music in late 70s downtown New York into a common focus, and situates the innovations in filmmaking in the traditions and theoretical heritage of the classic avant-garde." - David E. James, School of Cinematic Arts, University of Southern California, USA and author of The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles, and co-editor of Alternative Projections: Experimental Film In Los Angeles, 1945-1980