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The story is of Richard Hogarth, a man of lofty spirit who on discovering a cache of giant diamonds inside a fallen meteor undertakes a bold project to re-shape the human condition on a global scale. He builds huge steel forts with his wealth, places diamonds at the cross-roads of the earth's oceans to control all sea-traffic for tribute to benefit the citizens of his mammoth iron islands. "The Lord of the Sea (1901) develops a network of mid-19th-century motifs - incredible coincidences, swapped babies, hidden identities, chance-found incredible wealth, documents in a trunk, festering…mehr

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Produktbeschreibung
The story is of Richard Hogarth, a man of lofty spirit who on discovering a cache of giant diamonds inside a fallen meteor undertakes a bold project to re-shape the human condition on a global scale. He builds huge steel forts with his wealth, places diamonds at the cross-roads of the earth's oceans to control all sea-traffic for tribute to benefit the citizens of his mammoth iron islands. "The Lord of the Sea (1901) develops a network of mid-19th-century motifs - incredible coincidences, swapped babies, hidden identities, chance-found incredible wealth, documents in a trunk, festering revenges, elaborate prison escapes, frustrated romance, Napoleonic megalomania - yet, though written to an aesthetic outdated for its time, in embodies that aesthetic with enormous elan and vitality.

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Autorenporträt
Matthew Phipps Shiell (1865 - 1947) - known as M. P. Shiel - was a prolific British writer of West Indian descent. His legal surname remained "Shiell" though he adopted the shorter version as a de facto pen name. He is remembered mostly for supernatural horror and scientific romances. His work was published as serials, novels and as short stories. The Purple Cloud (1901, revised 1929) remains his most famous and often reprinted novel. Around 1899-1900 Shiel conceived a loosely linked trilogy of novels which were described by David G. Hartwell in his introduction to the Gregg Press edition of The Purple Cloud as possibly the first future history series in science fiction. Each was linked by similar introductory frame purporting to show that the novels were visions of progressively more distant futures glimpsed by a clairvoyant in a trance. Notebook I of the series had been plotted at least by 1898, but would not see print until published as The Last Miracle (1906). Notebook II became The Lord of the Sea (1901), which was recognized by contemporary readers as a critique of private ownership of land based on the theories of Henry George.