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This new expanded edition of The Long and the Short of It covers 55 years of Roy Fisher's poetry. Playing the language, pleasuring the imagination and teasing the senses, Fisher's witty, inventive and anarchic poetry has given lasting delight to his many dedicated readers for over half a century. Choosing this book on Desert Island Dis, Ian McMillan praised Fisher as 'Britain's greatest living poet'. The Long and the Short of It draws on the entire range of Fisher's work, from its fraught beginnings in the 1950s through major texts of the 1960s and 1970s such as City, The Ship's Orchestra and…mehr

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Produktbeschreibung
This new expanded edition of The Long and the Short of It covers 55 years of Roy Fisher's poetry. Playing the language, pleasuring the imagination and teasing the senses, Fisher's witty, inventive and anarchic poetry has given lasting delight to his many dedicated readers for over half a century. Choosing this book on Desert Island Dis, Ian McMillan praised Fisher as 'Britain's greatest living poet'. The Long and the Short of It draws on the entire range of Fisher's work, from its fraught beginnings in the 1950s through major texts of the 1960s and 1970s such as City, The Ship's Orchestra and 'Wonders of Obligation', to A Furnace, his 1980s masterpiece, and and then the later work set in the scarred and beautiful North Midlands landscape where he has lived for the past 30 years, notably the Costa-shortlisted Standard Midland (2010), which has been added to this expanded edition. 'Fisher stands outside, or alongside, whatever else is happening, an English late modernist whose experiments tend to come off. He is a poet of the city -his native Birmingham, which he describes as "what I think with". He is a redeemer of the ordinary, often a great artist of the visible... His range is large: he suits both extreme brevity and book-length exploration; his seeming improvisations have a way of turning into architecture. The best place to start is The Long and the Short of It. It might look and sound like nothing on earth at first, but then it becomes indispensable' -Sean O'Brien, Guardian.

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Autorenporträt
Roy Fisher (1930-2017) was born in Handsworth, Birmingham. He won a scholarship to the local grammar school, and later secured a place at Birmingham University where he read English and first published poems in the student magazine. To earn a living and support a family, he went into teaching, first at a grammar school in Newton Abbott, Devon, in the 1950s; he then returned to Birmingham and a job in a college of education. He was principal lecturer and head of department of English and Drama at Bordesley College of Education in Birmingham from 1963 to 1971, when he became a member of the Department of American Studies at Keele University. Through these three decades he pursued a second career as a semi-professional jazz musician. Since retiring he has lived in the Peak District. His early pamphlets, including City (1961) and Ten Interiors with Various Figures (1966) were first brought together in Collected Poems 1968. A larger gathering of further books and pamphlets, such as The Ship's Orchestra (1966), Matrix (1971), some of The Cut Pages (1971) and The Thing about Joe Sullivan (1978), appeared from OUP as Poems 1955-1980 (enlarged paperback edition, Poems 1955-1987). The long poem A Furnace also appeared from OUP in 1986, as did Birmingham River (1994). In 1996, Bloodaxe Books published The Dow Low Drop: New and Selected Poems, and followed it with The Long and the Short of It: Poems 1955-2005, Standard Midland in 2010 and Slakki in 2016. Flood Editions of Chicago have also published a Selected Poems for the US market.