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The Land of Little Rain is a book written by American writer Mary Hunter Austin. First published in 1903, it contains a series of interrelated lyrical essays about the inhabitants of the American Southwest, both human and otherwise. The Land of Little Rain is a collection of short stories and essays detailing the landscape and inhabitants of the American Southwest. A message of environmental conservation and a philosophy of cultural and sociopolitical regionalism loosely links the stories together. "The Land of Little Rain" The opening essay describes the "Country of Lost Borders," an area of…mehr

Produktbeschreibung
The Land of Little Rain is a book written by American writer Mary Hunter Austin. First published in 1903, it contains a series of interrelated lyrical essays about the inhabitants of the American Southwest, both human and otherwise. The Land of Little Rain is a collection of short stories and essays detailing the landscape and inhabitants of the American Southwest. A message of environmental conservation and a philosophy of cultural and sociopolitical regionalism loosely links the stories together. "The Land of Little Rain" The opening essay describes the "Country of Lost Borders," an area of land between Death Valley and the High Sierras. The image created of the land at the beginning of the story is one of almost unbearable heat and dryness, punctuated by violent storms. Despite the description of how inhospitable the landscape is, at the end Austin proposes that the costs the land imposes upon a man are worth it because it provides man with peace of mind and body that cannot be achieved any other way. "Water Trails of the Ceriso" The section's title refers to the trails made by wild animals moving towards sources of water. The essay provides descriptions of the many animals that travel along the trails, including coyotes, rabbits, and quails. Their ability to find water where there seems to be none is extolled by Austin, a skill which she believes no human is able to match. "The Scavengers" This essay describes the various animals that live in the desert that feed upon carrion—most notably, the buzzards and the carrion crows. This scavenging is portrayed as a natural part of the desert, with a multitude of the scavengers working together to find food. The end of the story criticizes the actions of man with regard to the desert. The unnatural trash he leaves cannot used by the scavengers in the story, and as such serves as a stark contrast to the desert's natural processes for recycling waste. "The Pocket Hunter" A pocket hunter is a type of miner who hunts for pockets of ore deposits. In the story, the pocket hunter described by Mary Austin lives off of the land with minimal interactions with the civilized world. This harmony with nature, Austin argues, is essential to the pocket hunter's simple happiness. Despite Austin's muted praise, the pocket hunter wants to strike it rich in order to move to Europe and mingle with the landed elite, a goal he accomplishes. However, by the end of the story, the pocket hunter returns to the desert since it is his "destiny".
Autorenporträt
Mary Hunter Austin (1868-1934) was an American writer known for incorporating the vibrant and iconic natural landscapes of the Southwestern United States in her work. Born in Illinois, she moved with her family to California after graduating from Blackburn College. She married Stafford Wallace Austin in 1891 before beginning her career as a successful writer of novels, poems, criticism, and plays. Austin was also notable for her political activism, studying and defending the Indigenous and Spanish-American cultures of the Southwest. In 1907, she moved to the art colony of Carmel-by-the-Sea in California, where she embraced a bohemian lifestyle and befriended such authors and artists as Jack London, Ambrose Bierce, Sinclair Lewis, and Xavier Martinez. She is remembered today as an important figure in American literature and as a pioneer of nonfiction and nature writing.