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An audacious murder on a privately hired train kick-starts a diplomatic crisis involving Britain, Japan and the good ol'US of A.
Another murder, equally baffling to Scotland Yard, soon follows and suspicion begins to fall on Prince Maiyo, an accomplished Japanese nobleman who has been touring Europe gathering information for the emperor. Penelope Morse, an American lady with diplomatic connections, becomes both wary and fascinated by him:
Oppenheim was something of a dab hand at early 20th century espionage. What started out as a murder mystery soon opened out into an examination of
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Produktbeschreibung
An audacious murder on a privately hired train kick-starts a diplomatic crisis involving Britain, Japan and the good ol'US of A.

Another murder, equally baffling to Scotland Yard, soon follows and suspicion begins to fall on Prince Maiyo, an accomplished Japanese nobleman who has been touring Europe gathering information for the emperor. Penelope Morse, an American lady with diplomatic connections, becomes both wary and fascinated by him:

Oppenheim was something of a dab hand at early 20th century espionage. What started out as a murder mystery soon opened out into an examination of pre-WWI power politics, then in the final third became a cultural comparison between Japan and the UK, by no means a favourable one to the latter.
 
Autorenporträt
Phillips Oppenheim was born on October 22, 1866, in Tohhenham, London, England, to Henrietta Susannah Temperley Budd and Edward John Oppenheim, a leather retailer. After leaving school at age 17, he helped his father in his leather business and used to write in his extra time. His first novel, Expiration (1886), and subsequent thrillers piqued the interest of a wealthy New York businessman who eventually bought out the leather business and made Oppenheim a high-paid director.He is more focused on dedicating most of his time to writing. The novels, volumes of short stories, and plays that followed, numbering more than 150, were about humans with modern heroes, fearless spies, and stylish noblemen. The Long Arm of Mannister (1910), The Moving Finger (1911), and The Great Impersonation (1920) are three of his most famous essays.