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No other silent film director has been as extensively studied as D. W. Griffith. However, only a small group of his more than five hundred films has been the subject of a systematic analysis, and the vast majority of his other works still await proper examination. For the first time in film studies, the complete creative output of Griffith - from 'Professional Jealousy '(1907) to 'The' 'Struggle '(1931) - will be explored in this multivolume collection of contributions from an international team of leading scholars in the field. Created as a companion to the ongoing retrospective held by the…mehr

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Produktbeschreibung
No other silent film director has been as extensively studied as D. W. Griffith. However, only a small group of his more than five hundred films has been the subject of a systematic analysis, and the vast majority of his other works still await proper examination. For the first time in film studies, the complete creative output of Griffith - from 'Professional Jealousy '(1907) to 'The' 'Struggle '(1931) - will be explored in this multivolume collection of contributions from an international team of leading scholars in the field. Created as a companion to the ongoing retrospective held by the Pordenone Silent Film Festival, the Griffith Project is an indispensable guide to the work of a crucial figure in the arts of the nineteenth century. The latest volume assesses Griffith's work in 1914-15. It includes an extensive, multi-authored evaluation of 'The Birth of' 'a Nation.'
Autorenporträt
Paolo Cherchi Usai is Senior Curator of the Motion Picture Department and director of the L. Jeffrey Selznick School of Film Preservation at the George Eastman House in Rochester, New York, USA, and founder of the annual Pordenone Silent Film Festival. Cherchi Usai's publications include The Griffith Project, co-published by the British Film Institute and Le Giornate, in 12 volumes (1996-2012); The Death of Cinema: History, Cultural Memory, and the Digital Dark Age (2001); and Burning Passions: An Introduction to the Study of Silent Cinema (1994).