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In his theory of the 'mirror stage', the psychoanalyst and psychiatrist Jacques Lacan argued that the female body is defined by its lack of male attributes. Within this framework, he described female sexuality primarily as an absence, and assumed female subordination to the male gaze. However, what happens if one follows Jean Baudrillard's advice to 'swallow the mirror' and go through the 'looking-glass' to explore the reflections and realities that we encounter in the cultural mirror, which reflects the culture in question: its norms, ideals and values? What if the beautiful is inverted and…mehr

Produktbeschreibung
In his theory of the 'mirror stage', the psychoanalyst and psychiatrist Jacques Lacan argued that the female body is defined by its lack of male attributes. Within this framework, he described female sexuality primarily as an absence, and assumed female subordination to the male gaze. However, what happens if one follows Jean Baudrillard's advice to 'swallow the mirror' and go through the 'looking-glass' to explore the reflections and realities that we encounter in the cultural mirror, which reflects the culture in question: its norms, ideals and values? What if the beautiful is inverted and becomes ugly; and the ugly is considered beautiful or shape-shifts into something conventionally thought of as beautiful? These are the fundamental questions that Basia Sliwinska poses in this important new enquiry into gender identity and the politics of vision in contemporary women's art.Through an innovative discussion of the mirror as a metaphor, Sliwinska reveals how the post-1989 practices of woman artists from both sides of the former Iron Curtain - such as Joanna Rajkowska, Marina Abramovic, Boryana Rossa, Natalia LL and Anetta Mona Chisa and Lucia Tkacova - go beyond gender binaries and instead embrace otherness and difference by playing with visual tropes of femininity.
Their provocative works offer alternative representations of the female body to those seen in the cultural mirror. Their art challenges and deconstructs patriarchal representations of the social and cultural 'other', associated with visual tropes of femininity such as Alice in Wonderland, Venus and Medusa. The Female Body in the Looking-Glass makes a refreshing, radical intervention into art theory and cultural studies by offering new theoretical concepts such as 'the mirror' and 'genderland' (inspired by Alice's adventures in Wonderland) as critical tools with which we can analyse and explain recent developments in women's art.
Autorenporträt
Basia Sliwinska is an art historian and theorist who works as a Research Fellow at the NOVA University Lisbon, Portugal. She is the Editor-in-Chief of the Open Access art history journal, Revista de História de Arte. Her work is situated within feminist art history, theory and practice, focusing on visual activism and artivism within transnational global frameworks. Basia is an Associate Research Fellow at the Valand Academy (University of Gothenburg, Sweden), and a Member of the Editorial Board of Third Text. She was a Visiting Professor at the Art Academy of Latvia (Riga) in 2022, and at the Eugeniusz Geppert Academy of Art and Design in Wroclaw, Poland in 2021. Between 2018 and 2022 she was on the Research Team of the Arts and Humanities Research Council funded project VASDiV: Visual Activism and Sexual Diversity in Vietnam. In 2023, she joined the Humanities Research Centre at the Australian National University as 2023 Visiting Fellow.