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"This study is a hugely satisfying read, both critical and timely ... . The book is both theoretically rich and immensely readable, and it will, I am sure, be a spur to many to take up its challenge; to not only pay more attention to the histories and present practices of amateur theatre, but to begin to look critically at the value hierarchies that dominate the theatre studies discipline more widely as a consequence." (Liz Tomlin, Journal of Contemporary Drama in English, Vol. 8 (2), 2020)