Naguib Mahfouz

The Dreams (eBook, ePUB)

Übersetzer: Stock, Raymond

• Format: ePub

Produktbeschreibung

In his final years, Egyptian Nobel Laureate Naguib Mahfouz distilled his storyteller's art to its most essential level. Written with the compression and power of dreams, these poetic vignettes, originally collected in two books, The Dreams and Dreams of Departure, here combined in one volume for the first time.

These stories telescope epic tales into tersely haunting miniatures. A man finds his neighborhood has turned into a circus, but his joy turns to anger when he cannot escape it. An obscure writer finally achieves fame-through the epitaph on his grave. A group of friends telling jokes in an alley face the murderous revenge of an ancient Egyptian queen. Figures from Mahfouz's past-women he loved, men who inspired him, even fictional characters from his own novels-float through tales dreamed by a mind too fertile ever to rest, even in sleep.

Translated by Raymond Stock

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Produktdetails

• Verlag: Knopf Doubleday Publishing Group
• Seitenzahl: 288
• Erscheinungstermin: 5. Oktober 2011
• Englisch
• ISBN-13: 9780307806772
• Artikelnr.: 38196414

Autorenporträt

Naguib Mahfouz was born in Cairo in 1911 and began writing when he was seventeen. His nearly forty novels and hundreds of short stories range from re-imaginings of ancient myths to subtle commentaries on contemporary Egyptian politics and culture. Of his many works, most famous is The Cairo Trilogy, consisting of Palace Walk (1956), Palace of Desire (1957), and Sugar Street (1957), which focuses on a Cairo family through three generations, from 1917 until 1952. In 1988, he was the first writer in Arabic to be awarded the Nobel Prize in Literature. He died in August 2006. .

Rezensionen

Cryptic, haunting, and brief. . . . Frequently the narrator begins in delight and wonder . . . and ends in terror, doubt, and confusion. The New Yorker Mahfouz [gives us] a sense of immersion in a mind at the edge of life, a mind returning to its elemental instincts. . . . Mahfouz maintains an unruffled, even humorous voice in the face of these volatile dreamscapes. . . . A fine, surreal filter through which to divine all the elements at play in contemporary Egyptian society. The Seattle Times