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Dream of the Red Chamber, also called The Story of the Stone, composed by Cao Xueqin, is one of China's Four Great Classical Novels. It was written sometime in the middle of the 18th century during the Qing Dynasty. It is considered a masterpiece of Chinese literature and is generally acknowledged to be the pinnacle of Chinese fiction. "Redology" is the field of study devoted exclusively to this work.
Red Chamber is believed to be semi-autobiographical, mirroring the rise and decay of author Cao Xueqin's own family and, by extension, of the Qing Dynasty. As the author details in the first
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Produktbeschreibung
Dream of the Red Chamber, also called The Story of the Stone, composed by Cao Xueqin, is one of China's Four Great Classical Novels. It was written sometime in the middle of the 18th century during the Qing Dynasty. It is considered a masterpiece of Chinese literature and is generally acknowledged to be the pinnacle of Chinese fiction. "Redology" is the field of study devoted exclusively to this work.

Red Chamber is believed to be semi-autobiographical, mirroring the rise and decay of author Cao Xueqin's own family and, by extension, of the Qing Dynasty. As the author details in the first chapter, it is intended to be a memorial to the women he knew in his youth: friends, relatives and servants. The novel is remarkable not only for its huge cast of characters and psychological scope, but also for its precise and detailed observation of the life and social structures typical of 18th-century Chinese aristocracy.


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Autorenporträt
Cao Xueqin was born into a wealthy family whose status diminished, and whose fortune was confiscated when he was still a child. He spent the remainder of his life in poverty. The Dream of the Red Chamber, which he devoted ten years of his life to writing, was not published until thirty years after his death. H. Bencraft Joly was Vice-Consulate of Macao at the time he translated The Dream of the Red Chamber in an effort to advance appreciation of Chinese literature among Western scholars. John Minford is dean of the School of Arts and Social Sciences at the Open University of Hong Kong and has taught Chinese literature and literary translation in China, Hong Kong, and New Zealand. He has published widely on Chinese literature and translated numerous works including Strange Tales from a Chinese Studio by Pu Songling and the Art of War. Edwin Lowe is Associate Lecturer of Chinese Studies in the Department of Asian Studies at Macquarie University, Sydney. He has previously worked on the Tuttle Classic edition of The Water Margin and on The Chinese Martial Code by A. L. Sadler.