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In this entertaining and always stimulating collection of seven essays, Kundera deftly sketches out his personal view of the history and value of the novel. Too often, he suggests, a novel is thought about only within the confines of the nation of its origin, when in fact the novel's development has always occurred across borders: Laurence Sterne learned from Rabelais, Henry Fielding from Cervantes, Joyce from Flaubert, García Márquez from Kafka. The real work of a novel is not bound up in the specifics of any one language: what makes a novel matter is its ability to reveal some previously unknown aspect of our existence. In The Curtain, Kundera skillfully describes how the best novels do just that.
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"An elegant, personalized integration of anecdote, analysis, scholarship, memory and speculation. . . . Not since Henry James, perhaps, has a fiction writer examined the process of writing with such insight, authority and range of reference and allusion. . . Kundera's opinions, reflections, memories and desires are well worth listening to." - New York Times Book Review
"A work of sophisticated literary cartography. . . agreeably studded with insights." - Wall Street Journal
"Essential reading in a long history of debates about the genre. . . . Wise, deep, and witty." - New York Review of Books
"Kundera...argues brilliantly...Discarding chronology, [he] lets us witness the inner workings of his....wonderful reader's mind." - Cecile Alduy, San Francisco Chronicle
"As the French expression goes, Kundera always gives you furiously to think...[He] writes...with passion." - Michael Dirda, Washington Post Book World
"Lovely, meandering observations on the genre to which he has consecrated his life. . . . Like good love stories, it pulls you in." - Philadelphia Inquirer
"Kundera offers witty and edifying improvisations on...favorite themes...Anyone interested in the novel will delight in this book." - Alec Solomita, New York Sun
"Well-worth reading. . . witty and brisk and very smart, like all of [Kundera's] writing." - William Deresiewicz, The Nation
"A swiftly told, beautifully crafted, pleasurable. . . scrutiny of the novel. . . . To Mr. Kundera, the novel is a liberating force." - The Economist
"Bursting at the seams with ideas. . . Kundera dashes irrepressibly around his own studio. . . to consistently fascinating effect. A rare pleasure." - Steven Poole, New Statesman
"Kundera is assuredly one of the great living writers. . . . This is a remarkable book. . . . Absorbing and sometimes sublime." - Buffalo News
"Brilliant, vehement, learned and wise...Stimulating and provocative...THE CURTAIN raises essential questions." - Salon.com
"Kundera's essay so perfectly distilles an approach to art that it realigns the way an art form is understood." - Publishers Weekly (starred review)
"Evocative...Kundera marvelously conducts us on a journey through the history of the novel." - Library Journal
"A work of sophisticated literary cartography. . . agreeably studded with insights." - Wall Street Journal
"Essential reading in a long history of debates about the genre. . . . Wise, deep, and witty." - New York Review of Books
"Kundera...argues brilliantly...Discarding chronology, [he] lets us witness the inner workings of his....wonderful reader's mind." - Cecile Alduy, San Francisco Chronicle
"As the French expression goes, Kundera always gives you furiously to think...[He] writes...with passion." - Michael Dirda, Washington Post Book World
"Lovely, meandering observations on the genre to which he has consecrated his life. . . . Like good love stories, it pulls you in." - Philadelphia Inquirer
"Kundera offers witty and edifying improvisations on...favorite themes...Anyone interested in the novel will delight in this book." - Alec Solomita, New York Sun
"Well-worth reading. . . witty and brisk and very smart, like all of [Kundera's] writing." - William Deresiewicz, The Nation
"A swiftly told, beautifully crafted, pleasurable. . . scrutiny of the novel. . . . To Mr. Kundera, the novel is a liberating force." - The Economist
"Bursting at the seams with ideas. . . Kundera dashes irrepressibly around his own studio. . . to consistently fascinating effect. A rare pleasure." - Steven Poole, New Statesman
"Kundera is assuredly one of the great living writers. . . . This is a remarkable book. . . . Absorbing and sometimes sublime." - Buffalo News
"Brilliant, vehement, learned and wise...Stimulating and provocative...THE CURTAIN raises essential questions." - Salon.com
"Kundera's essay so perfectly distilles an approach to art that it realigns the way an art form is understood." - Publishers Weekly (starred review)
"Evocative...Kundera marvelously conducts us on a journey through the history of the novel." - Library Journal