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The early modern period inherited and refashioned a culture of remembrance deeply-ingrained in the customs of Christian community. The Arts of Remembrance in Early Modern England maps the new terrain of remembrance in the post-Reformation and charts the creative re-fashioning of remembrance in material, textual and performance culture.
The early modern period inherited and refashioned a culture of remembrance deeply-ingrained in the customs of Christian community. The Arts of Remembrance in Early Modern England maps the new terrain of remembrance in the post-Reformation and charts the creative re-fashioning of remembrance in material, textual and performance culture.
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Andrew Gordon and Thomas Rist are colleagues in the Department of English and the Centre for Early Modern Studies at the University of Aberdeen, Scotland.
Inhaltsangabe
Contents: Introduction: the arts of remembrance, Andrew Gordon and Thomas Rist; Part I Materials of Remembrance: Remembrance in the Eucharist, Lucy Wooding; Portraiture and memory amongst the middling elites in post-Reformation England, Robert Tittler; 'An arelome to this hous for ever': monumental fixtures and furnishings in the English domestic interior, c.1560-c.1660, Tara Hamling; Lines of descent: appropriations of ancestry in stone and parchment, Oliver D. Harris. Part II Textual Rites: Monuments and religion: George Herbert's poetic materials, Thomas Rist; 'Making it true': John Foxe's art of remembrance, Tom Healy; A tangled chronicle: the struggle over the memory of Edmund Campion, Gerard Kilroy; Literary memorialization and the posthumous construction of female authorship, Marie-Louise Coolahan. Part III Theatres of Remembrance: Shakespeare's arts of reenactment: Henry at Blackfriars, Richard at Rougemont, Philip Schwyzer; Scenic memory, Janette Dillon; The artificial figures and staging remembrance in Webster's The Duchess of Malfi, Rory Loughnane; The ghost of Pasquill: the comic afterlife and the afterlife of comedy on the Elizabethan stage, Andrew Gordon; Select bibliography; Index.
Contents: Introduction: the arts of remembrance, Andrew Gordon and Thomas Rist; Part I Materials of Remembrance: Remembrance in the Eucharist, Lucy Wooding; Portraiture and memory amongst the middling elites in post-Reformation England, Robert Tittler; 'An arelome to this hous for ever': monumental fixtures and furnishings in the English domestic interior, c.1560-c.1660, Tara Hamling; Lines of descent: appropriations of ancestry in stone and parchment, Oliver D. Harris. Part II Textual Rites: Monuments and religion: George Herbert's poetic materials, Thomas Rist; 'Making it true': John Foxe's art of remembrance, Tom Healy; A tangled chronicle: the struggle over the memory of Edmund Campion, Gerard Kilroy; Literary memorialization and the posthumous construction of female authorship, Marie-Louise Coolahan. Part III Theatres of Remembrance: Shakespeare's arts of reenactment: Henry at Blackfriars, Richard at Rougemont, Philip Schwyzer; Scenic memory, Janette Dillon; The artificial figures and staging remembrance in Webster's The Duchess of Malfi, Rory Loughnane; The ghost of Pasquill: the comic afterlife and the afterlife of comedy on the Elizabethan stage, Andrew Gordon; Select bibliography; Index.
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