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How do you decide what stories an audience should hear? How do you make your theatre stand out in a crowded and intensely competitive marketplace? How do you make your building a home for artistic risk and innovation, while ensuring the books are balanced? It is the artistic director's job to answer all these questions, and many more. Yet, despite the central role that these people play in the modern theatre industry, very little has been written about what they do or how they do it.
In The Art of the Artistic Director, Christopher Haydon (former artistic director of the Gate Theatre,
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Produktbeschreibung
How do you decide what stories an audience should hear? How do you make your theatre stand out in a crowded and intensely competitive marketplace? How do you make your building a home for artistic risk and innovation, while ensuring the books are balanced? It is the artistic director's job to answer all these questions, and many more. Yet, despite the central role that these people play in the modern theatre industry, very little has been written about what they do or how they do it.

In The Art of the Artistic Director, Christopher Haydon (former artistic director of the Gate Theatre, 'London's most relentlessly ambitious theatre' - Time Out) compiles a fascinating set of interviews that get to the heart of what it is to occupy this unique role. He speaks to twenty of the most prominent and successful artistic directors in the US and UK, including: Oskar Eustis (Public Theater, New York), Diane Paulus (American
Repertory Theater, Boston), Rufus Norris (National Theatre, London) and Vicky Featherstone (Royal Court Theatre, London), uncovering the essential skills and abilities that go into making an accomplished artistic director.

The only book of its kind available, The Art of the Artistic Director includes a foreword by Michael Grandage, former artistic director of the Sheffield Crucible and the Donmar Warehouse in London.
Autorenporträt
Christopher Haydon was artistic director of the Gate Theatre, London, from 2012-17. Prior to that, he was an associate director at the Bush Theatre, London. He studied at Cambridge University and trained at the Central School of Speech and Drama, the National Theatre Studio and with Cicely Berry at the RSC. In 2007 he received both the inaugural Chichester Festival Theatre Heller Fellowship and the Channel Four Theatre Director's Bursary at the Salisbury Playhouse. Directing credits include: Twelve Angry Men (Birmingham Rep and West End); The Christians (Gate Theatre/Traverse Theatre, Winner of a Fringe First Award); Grounded (Gate Theatre/Traverse Theatre, Winner of a Fringe First Award); Image of an Unknown Young Woman, The Edge of our Bodies, The Trojan Women, The Prophet, Wittenberg (Gate Theatre); Sixty Six Books, In The Beginning (Bush Theatre/Westminster Abbey); A Safe Harbour for Elizabeth Bishop (Southbank Centre); Pressure Drop, starring Billy Bragg and his band (Wellcome Collection); Deep Cut (Sherman Cymru/National Tour); Monsters (Arcola Theatre); A Number (Salisbury Playhouse); Grace (British Council/On Theatre, Theatre Du Poche, Brussels, Belgium); Notes from Underground (Arcola Theatre).
Rezensionen
Invaluable . [Offers] a wide range of insights into the hoops US and British artistic directors must jump through before a play is even considered. The Irish Times