Steve Savage

The Art of Digital Audio Recording (eBook, ePUB)

A Practical Guide for Home and Studio

• Format: ePub

Produktbeschreibung

Making great audio recordings requires striking the right balance between technical know-how and practical understanding of recording sessions. Even in the digital age, some of the most important aspects of creating and recording music are non-technical and, as a result, are often overlooked by traditional recording manuals. The Art of Digital Audio Recording teaches readers what they really need to know in order to make great sound recordings with computers - both the practical and the technical information, including: BL What to look and listen for in a recording environment BL Straightforward advice on recording almost any instrument BL Essentials of digital audio workstations BL Essentials of recording gear: microphones, mixers, and speakers BL Fundamentals of understanding and applying EQ, compression, delay, and reverb BL Secrets to running creative recording sessions BL Practical application of digital editing, mixing, and mastering A special section identifies solutions to the most common challenges in the recording studio, and the book also features an addendum with essential tips and reference information including: BL How to walk into a commercial studio and be the engineer BL Researching and buying gear: Internet vs. brick and mortar BL Digital formats: A handy reference As a whole, The Art of Digital Audio Recording is an essential resource that gives recordists the tools they need to let technical understanding serve greater musical goals.

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Produktdetails

• Verlag: Oxford University Press
• Erscheinungstermin: 1. Juni 2011
• Englisch
• ISBN-13: 9780199910502
• Artikelnr.: 38167318

Autorenporträt

An active producer, recording engineer, and instructor, Steve Savage has been the primary engineer on seven Grammy-nominated CDs. He is the author of numerous books, including the forthcoming Bytes & Backbeats: Repurposing Audio in the Digital Age.

Inhaltsangabe

Introduction
1. The Starting Point - Sound meets the computer
1: Why computers
2: What does it sound like?
3: Signal path
2. The Essentials - Where and how recordings are made
4: Recording rooms and control rooms
5: Studio monitors
6: Microphones and mic placement
7: Mixing boards and control surfaces
8: EQ: general information
9: Dynamics (compressors and noise gates)
10: FX: delay
11: FX: reverb
12: Beyond traditional DSP
3. Recording Sessions - A practical guide
13: Set up
14: Headphone mixes
15: Survey of recording techniques for instruments and voice
4. Editing - The new frontier
16: Editing functions
17: Screen "real estate"
18: Virtual tracks (playlists)
19: Advanced Editing
5. Three Fundamentals - Techniques every recordist needs to know
20: Insert/Plug-ins
21: Send and return
22: Auto-switching (auto-input)
6. Mixing - The most creative and the most challenging stage
23: Mixing requirements
24: Building a mix
25: Automation and recall
26: Mix collaboration, communication and delivery
7. Mastering - One last session
27: What, Why, How and Where
8. Three Best Practices - Easy ways to raise the level of your sessions
28: Session flow
29: Talkback
30: Playback volume
Addendum:
31: How to Walk into a Commercial Studio and be the Engineer
32: Researching and Buying Gear: Internet vs. brick and mortar
Appendix:
Digital Audio Formats, Delivery and Storage
Index