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Kirill Ospovat received his PhD from the Russian State University for the Humanities (RGGU, Moscow) in 2005. He has held various postdoctoral appointments in Russia, Germany, the UK, and the US, most recently in the ERC-funded research group 'Early modern drama and the cultural net' at the Freie Universität Berlin.
Kirill Ospovat received his PhD from the Russian State University for the Humanities (RGGU, Moscow) in 2005. He has held various postdoctoral appointments in Russia, Germany, the UK, and the US, most recently in the ERC-funded research group 'Early modern drama and the cultural net' at the Freie Universität Berlin.
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Kirill Ospovat received his PhD from the Russian State University for the Humanities (RGGU, Moscow) in 2005. He has held various postdoctoral appointments in Russia, Germany, the UK, and the US, most recently in the ERC-funded research group ¿Early modern drama and the cultural net¿ at the Freie Universität Berlin.
Inhaltsangabe
Acknowledgments Introduction PART I POLITICAL THEATER AND THE ORIGINS OF RUSSIAN TRAGIC DRAMA Theater at Court Sumarokov and the réformation du theater Political Theater and the Poetics of Autocracy Scenarios of Power : The Politics of Tragic Plots Dramatic Experience: Tragedy and the Emotional Economy of the Court PART II KHOREV, OR THE TRAGEDY OF ORIGIN Poetry, History, Allegory Khorev and the Scenario of Marriage Pastoral Politics and Tragedy The Tragedy of Suspicion PART III POETIC JUSTICE: COUP D ÉTAT, POLITICAL THEOLOGY, AND THE POLITICS OF SPECTACLE IN THE RUSSIAN HAMLET Tragedy and Political Theology The Drama of Coup d état Anatomy of Melancholy, or Gamlet the Hero Investigations of Malice The Catharsis of Pardon EPILOGUE THE THEATER OF WAR AND PEACE: THE MIRACLE OF THE HOUSE OF BRANDENBURG AND THE POETICS OF EUROPEAN ABSOLUTISM Tragedy and Political Theology on the Battlefield Frederick, or the Performance of Defeat Peter, or the Tragedy of Triumph Conclusion: Tragedy, History, and Theory Bibliography
Acknowledgments Introduction PART I POLITICAL THEATER AND THE ORIGINS OF RUSSIAN TRAGIC DRAMA Theater at Court Sumarokov and the réformation du theater Political Theater and the Poetics of Autocracy Scenarios of Power : The Politics of Tragic Plots Dramatic Experience: Tragedy and the Emotional Economy of the Court PART II KHOREV, OR THE TRAGEDY OF ORIGIN Poetry, History, Allegory Khorev and the Scenario of Marriage Pastoral Politics and Tragedy The Tragedy of Suspicion PART III POETIC JUSTICE: COUP D ÉTAT, POLITICAL THEOLOGY, AND THE POLITICS OF SPECTACLE IN THE RUSSIAN HAMLET Tragedy and Political Theology The Drama of Coup d état Anatomy of Melancholy, or Gamlet the Hero Investigations of Malice The Catharsis of Pardon EPILOGUE THE THEATER OF WAR AND PEACE: THE MIRACLE OF THE HOUSE OF BRANDENBURG AND THE POETICS OF EUROPEAN ABSOLUTISM Tragedy and Political Theology on the Battlefield Frederick, or the Performance of Defeat Peter, or the Tragedy of Triumph Conclusion: Tragedy, History, and Theory Bibliography
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