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This collection recovers the continuities between three forms of romance that have often been separated from one another in critical discourse: early modern prose fiction, the dramatic romances staged in England during the 1570s and 1580s, and Shakespeare's late plays.
This collection recovers the continuities between three forms of romance that have often been separated from one another in critical discourse: early modern prose fiction, the dramatic romances staged in England during the 1570s and 1580s, and Shakespeare's late plays.
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Valerie Wayne is Professor of English at the University of Hawaii at Manoa. She is Associate General Editor of The Collected Works of Thomas Middleton (Oxford, 2007), editor of The Flower of Friendship by Edmund Tilney, and The Matter of Differerence. Mary Ellen Lamb is Professor of English at Southern Illinois University and her most recent book is The Popular Culture of Shakespeare, Spenser, and Jonson (Routledge, 2006).
Inhaltsangabe
Acknowledgments Part I: Continuities and Incongruities 1 Introduction: Into the Forest Mary Ellen Lamb and Valerie Wayne 2 The Sources of Romance, the Generation of Story, and the Patterns of the Pericles Tales Lori Humphrey Newcomb 3 "Asia of the one side, and Afric of the other": Sidney's Unities and the Staging of Romance Cyrus Mulready Part II: Page and Stage 4 "A Note Beyond Your Reach": Prose Fiction's Rivalry with Elizabethan Drama Steve Mentz 5 Hamlet and Eourdanus Goran Stanivukovic 6 Reading the Book of the Self in Shakespeare's Cymbeline and Wroth's Urania Sarah Wall-Randell 7 Virtual Audiences and Virtual Authors: The Winter's Tale, The Tempest, and Old Wives' Tales Mary Ellen Lamb Part III: Gender and Agency 8 The Issue of the Corpus Christi Cycles, or "Religious Romance," in The Winter's Tale Gloria Olchowy 9 Romancing the Wager: Cymbeline's Intertexts Valerie Wayne 10 John Fletcher's Women Pleased and the Pedagogy Reading of Romance Joyce Boro 11 Undoing Romance: Beaumont and Fletcher's Resistant Reading of the The Countess of Pembroke's Arcadia Clare R. Kinney 12 Probable Infidelities from Bandello to Massinger Lorna Hutson 13 Afterword: Shakespeare and Romance Barbara Mowat Notes on Contributors Index
Acknowledgments Part I: Continuities and Incongruities 1 Introduction: Into the Forest Mary Ellen Lamb and Valerie Wayne 2 The Sources of Romance, the Generation of Story, and the Patterns of the Pericles Tales Lori Humphrey Newcomb 3 "Asia of the one side, and Afric of the other": Sidney's Unities and the Staging of Romance Cyrus Mulready Part II: Page and Stage 4 "A Note Beyond Your Reach": Prose Fiction's Rivalry with Elizabethan Drama Steve Mentz 5 Hamlet and Eourdanus Goran Stanivukovic 6 Reading the Book of the Self in Shakespeare's Cymbeline and Wroth's Urania Sarah Wall-Randell 7 Virtual Audiences and Virtual Authors: The Winter's Tale, The Tempest, and Old Wives' Tales Mary Ellen Lamb Part III: Gender and Agency 8 The Issue of the Corpus Christi Cycles, or "Religious Romance," in The Winter's Tale Gloria Olchowy 9 Romancing the Wager: Cymbeline's Intertexts Valerie Wayne 10 John Fletcher's Women Pleased and the Pedagogy Reading of Romance Joyce Boro 11 Undoing Romance: Beaumont and Fletcher's Resistant Reading of the The Countess of Pembroke's Arcadia Clare R. Kinney 12 Probable Infidelities from Bandello to Massinger Lorna Hutson 13 Afterword: Shakespeare and Romance Barbara Mowat Notes on Contributors Index
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