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  • Format: ePub

South from Ephesus focuses on Brian Sewell's winter journey from Ephesus to Side.
Weary of what he called the "tyranny" of western art, Brian Sewell first visited Turkey - a country that had captivated him since he was a boy - in 1975. He thought that there, anything he found would have no relevance to the European art that he had so compulsively "stitched into the dense fabric of my art-historical memory" and that he could therefore enjoy the art for its own sake.
But Turkey surprised him. Sewell delighted in the unexpected wealth of Greek, Roman, Byzantine and Islamic cultures there,
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Produktbeschreibung
South from Ephesus focuses on Brian Sewell's winter journey from Ephesus to Side.

Weary of what he called the "tyranny" of western art, Brian Sewell first visited Turkey - a country that had captivated him since he was a boy - in 1975. He thought that there, anything he found would have no relevance to the European art that he had so compulsively "stitched into the dense fabric of my art-historical memory" and that he could therefore enjoy the art for its own sake.

But Turkey surprised him. Sewell delighted in the unexpected wealth of Greek, Roman, Byzantine and Islamic cultures there, and he returned three or four times a year until 1990.

With typically acerbic commentary, Sewell describes (not always favourably) the archaeological and historical sites he comes across, the landscapes that so clearly thrilled him, the encounters he had along the way and the fractious, though wonderfully funny, relationship he forms with Ayhan, his driver.

South from Ephesus is an incomparable portrait of Turkey and its artistic heritage - a book that could only have been written by Sewell and which has become a quirky classic of travel literature.
Autorenporträt
Brian Sewell has since 1984 been the art critic of London's Evening Standard and one of its political columnists, winning national and international press awards in both spheres. A graduate of the Courtauld Institute, he has written exhibition catalogues for the Royal Academy, the British Council and the Council of Europe, and contributed to the catalogues of the Royal Collection. He worked for a decade at Christie's, the international art auctioneers, as an expert on old masters, and has been a consultant to museums and galleries in the USA, Germany, Switzerland and South Africa. He contributes to learned magazines and broadcasts on radio and television.