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Performing arts in most parts of Maritime Southeast Asia are seen as an entity, where music and dance, sound and movement, acoustic and tactile elements intermingle and complement each other. Although this fact is widely known and referenced, most scholarly works in the performing arts so far have either focused on "music" or "dance", rather than treating the two in combination. This particular compilation gives an exemplary overview of various phenomena in movement-sound relations, and offers for the first time a thorough study of the phenomenon that is considered essential for the performing…mehr

Produktbeschreibung
Performing arts in most parts of Maritime Southeast Asia are seen as an entity, where music and dance, sound and movement, acoustic and tactile elements intermingle and complement each other. Although this fact is widely known and referenced, most scholarly works in the performing arts so far have either focused on "music" or "dance", rather than treating the two in combination. This particular compilation gives an exemplary overview of various phenomena in movement-sound relations, and offers for the first time a thorough study of the phenomenon that is considered essential for the performing arts in Maritime Southeast Asia - the inseparability of movement and sound.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Mohd Anis Md Nor is former Professor of Ethnochoreology and Ethnomusicology at the Cultural Centre (School of Performing Arts), University of Malaya in Kuala Lumpur, Malaysia. He is Chair of the Publication Committee of ICTM Study Group on Performing Arts of Southeast Asia, and Adjunct Professor at the Faculty of Music and Performing Arts, Sultan Idris Education University, Perak, Malaysia. Kendra Stepputat is Senior Lecturer in Ethnomusicology at the University of Music and Performing Arts Graz, Austria. Her research topics include Balinese performing arts, sound-movement interrelations, and tango argentino in European perspective. She is editor of Performing Arts in Postmodern Bali (2013).