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Drawing from performance and educational environments, this ground-breaking collection brings together a community of international practitioner-researchers who explore voice through soma or soma through voice. Somatic methodologies offer research processes within a new area of vocal, somatic and performance praxis.
Drawing from performance and educational environments, this ground-breaking collection brings together a community of international practitioner-researchers who explore voice through soma or soma through voice. Somatic methodologies offer research processes within a new area of vocal, somatic and performance praxis.
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Christina Kapadocha (PhD) is a Lecturer in Theatre and Movement at East 15 Acting School. She is a London-based theatre and somatic practitioner-researcher and founder of Somatic Acting Process®. Her current practice research and publications introduce new discussions on the somatic in theatre and performance studies.
Inhaltsangabe
List of figures; List of online material; List of contributors; Acknowledgments; Foreword: A phonotechnics of vocal somaticity: An autobiophonic note; Konstantinos Thomaidis; Introduction: Somatic voice studies Christina Kapadocha; Part I Vocalities in somatic studies ; 1 Three somatic processes to voice through movement: Breath, exploration, imagery, Barbara Sellers-Young; 2 Awakening grace: Embodied awareness in vocal training, Andrea Olsen; 3 Never just the body: Etudes between voice and dance, Sondra Fraleigh; 4 On Voice Movement Integration (VMI) practice by Patricia Bardi: Awakening resonance in the moving body, Patricia Bardi interviewed by Christina Kapadocha; Part II Voicework, somatics and the diverse self; 5 In front of me: Fitzmaurice Voicework® as transformative practice, Ellen Foyn Bruun; 6 Somatic training and resources for body-mind-voice integration: When stage fright "comes to visit", Leticia Santafé and Pablo Troccoli; 7 Voicing with awareness: An introduction to the Feldenkrais method, Stephen Paparo; 8 My body is a map, my voice is the path: (Trans)racialized somaticities and Roy Hart voice work, Amy Mihyang Ginther; Part III Vocal and somatic listening in training; 9 (Re)considering the role of touch in "re-educating" actors' body/voice Tara McAllister-Viel, 10 Organic voice: Vocal integration through actor training; Christina Gutekunst, 11 Dreaming voice: A dialogue, Ilona Krawczyk and Ben Spatz; 12 Somatic logos in physiovocal actor training and beyond, Christina Kapadocha; Part IV Beyond the somatic in performance research; 13 Mapping the burden of vocality: French seventeenth-century vocal lamentations, Japanese meditation and somatic intra-action, Elisabeth Laasonen Belgrano; 14 Intensive interaction: A lesson on queered voicing from children with learning disAbilities, Yvon Bonenfant; 15 Vocal resonance and the politics of intercorporeality, Anita Chari; 16 The somaesthetic in-between: Six statements on vocality, listening and embodiment, Ben Macpherson; Part V Beyond this book; 17 Beyond our somatic voices, Christina Kapadocha
List of figures; List of online material; List of contributors; Acknowledgments; Foreword: A phonotechnics of vocal somaticity: An autobiophonic note; Konstantinos Thomaidis; Introduction: Somatic voice studies Christina Kapadocha; Part I Vocalities in somatic studies ; 1 Three somatic processes to voice through movement: Breath, exploration, imagery, Barbara Sellers-Young; 2 Awakening grace: Embodied awareness in vocal training, Andrea Olsen; 3 Never just the body: Etudes between voice and dance, Sondra Fraleigh; 4 On Voice Movement Integration (VMI) practice by Patricia Bardi: Awakening resonance in the moving body, Patricia Bardi interviewed by Christina Kapadocha; Part II Voicework, somatics and the diverse self; 5 In front of me: Fitzmaurice Voicework® as transformative practice, Ellen Foyn Bruun; 6 Somatic training and resources for body-mind-voice integration: When stage fright "comes to visit", Leticia Santafé and Pablo Troccoli; 7 Voicing with awareness: An introduction to the Feldenkrais method, Stephen Paparo; 8 My body is a map, my voice is the path: (Trans)racialized somaticities and Roy Hart voice work, Amy Mihyang Ginther; Part III Vocal and somatic listening in training; 9 (Re)considering the role of touch in "re-educating" actors' body/voice Tara McAllister-Viel, 10 Organic voice: Vocal integration through actor training; Christina Gutekunst, 11 Dreaming voice: A dialogue, Ilona Krawczyk and Ben Spatz; 12 Somatic logos in physiovocal actor training and beyond, Christina Kapadocha; Part IV Beyond the somatic in performance research; 13 Mapping the burden of vocality: French seventeenth-century vocal lamentations, Japanese meditation and somatic intra-action, Elisabeth Laasonen Belgrano; 14 Intensive interaction: A lesson on queered voicing from children with learning disAbilities, Yvon Bonenfant; 15 Vocal resonance and the politics of intercorporeality, Anita Chari; 16 The somaesthetic in-between: Six statements on vocality, listening and embodiment, Ben Macpherson; Part V Beyond this book; 17 Beyond our somatic voices, Christina Kapadocha
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