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' Shroud will not be easily surpassed for its combination of wit, moral complexity and compassion. It is hard to see what more a novel could do' Irish Times
Dark secrets and reality unravel in Shroud , the second of John Banville's three novels to feature Cass Cleave, alongside Eclipse and Ancient Light.
Axel Vander, distinguished intellectual and elderly academic, is not the man he seems.
When a letter arrives out of the blue, threatening to unveil his secrets - and carefully concealed identity - Vander travels to Turin to meet its author. There, muddled by age and alcohol,
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Produktbeschreibung
'Shroud will not be easily surpassed for its combination of wit, moral complexity and compassion. It is hard to see what more a novel could do' Irish Times

Dark secrets and reality unravel in Shroud, the second of John Banville's three novels to feature Cass Cleave, alongside Eclipse and Ancient Light.

Axel Vander, distinguished intellectual and elderly academic, is not the man he seems.

When a letter arrives out of the blue, threatening to unveil his secrets - and carefully concealed identity - Vander travels to Turin to meet its author. There, muddled by age and alcohol, unable always to distinguish fact from fiction, Vander comes face to face with the woman who has the knowledge to unmask him, Cass Cleave. However, her sense of reality is as unreliable as his, and the two are quickly drawn together, their relationship dark, disturbed and doomed to disaster from its very start.


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Autorenporträt
John Banville was born in Wexford, Ireland, in 1945. His first book, Long Lankin, was published in 1970. His other books include Nightspawn , Birchwood, Doctor Copernicus (which won the James Tait Black Memorial Prize in 1976), Kepler (which was awarded the Guardian Fiction Prize in 1981), The Newton Letter, Mefisto, The Book of Evidence, Ghosts, Athena, The Untouchable, Eclipse and The Sea. He has received a literary award from the Lannan Foundation. He lives in Dublin.
Rezensionen
In beautiful, lucid prose John Banville describes a tragedy so strongly rooted in history and character that, like all real tragedies, it could not happen otherwise. The Times