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This Guide introduces students to critical writing on Shakespeare's comedies over the last four centuries. * * Guides students through four centuries of critical writing on Shakespeare's history plays. * Covers both significant early views and recent critical interventions. * Substantial editorial material links the articles and places them in context. * Annotated suggestions for further reading allow students to investigate further.
This Guide introduces students to critical writing on Shakespeare's comedies over the last four centuries. * * Guides students through four centuries of critical writing on Shakespeare's history plays. * Covers both significant early views and recent critical interventions. * Substantial editorial material links the articles and places them in context. * Annotated suggestions for further reading allow students to investigate further.
Emma Smith is Fellow of Hertford College and Lecturer in English at Oxford University. Her publications include Thomas Kyd: The Spanish Tragedie (ed. 1998) and Shakespeare in Production: Henry V (2000).
Inhaltsangabe
Preface. Acknowledgements. 1 The Development of Criticism of Shakespeare's Comedies. 2 Genre. Marriage as Comic Closure. False Immortality in Measure for Measure. 3 Language. Here Follows Prose. Transfer of Title in Love's Labour's Lost. 4 Gender and Sexuality. Helena's Bed-trick. The Homoerotics of Shakespearian. Comedy. 5 History and Politics. Guess Who's Coming to Dinner?. Bottom's Up. 6 Performance. Kate: Interpreting the Silence. As You Like It. Index
Preface. Acknowledgements. 1 The Development of Criticism of Shakespeare's Comedies. 2 Genre. Marriage as Comic Closure. False Immortality in Measure for Measure. 3 Language. Here Follows Prose. Transfer of Title in Love's Labour's Lost. 4 Gender and Sexuality. Helena's Bed-trick. The Homoerotics of Shakespearian. Comedy. 5 History and Politics. Guess Who's Coming to Dinner?. Bottom's Up. 6 Performance. Kate: Interpreting the Silence. As You Like It. Index
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